A walk down the memory lanes of FDC…

Acclaimed actor Shuchanda has appeared in numerous classics since the mid-'60's, and her contribution towards cinema has cemented her reputation as a living legend. The actor is also a noted producer and director, with her second directorial venture “Hajar Bochhor Dhorey” bagging the National Award in 2005. In a recent conversation with The Daily Star, the actor reflects on her early years in cinema, and shares her outlook on today's scenario in films. Excerpts:

“I have begun my career in film in the mid '60's and to me, that decade, as well as a few years after it, were the best years. Looking back brings some mixed feelings; it is a great privilege to have been a part of it all, but also regretful that the greatness of cinema was tragically cut short. People would flock to the halls to watch new films, and there had been a direct connection between the filmmakers and the viewers. The scenario today is quite the opposite, and cinemagoers have dwindled down as the quality of mainstream cinemas have lessened and almost disappeared. We do have the rare exception once in a while, but in those years every film was made with great care and ensured a good story. Back in those days, we used to have lively discussions regarding the films being released, but now there is no such cinematic production of critical value. Missing a day to visit FDC would make the entire day feel wasted and unfulfilled. But now it fills me with sadness every time I pass by its gate; each spot there had been so intimate and familiar to me once, it breaks my heart to see its state due to the films being made. However, all is not lost; there is still a chance to revive good mainstream films again. Strong initiatives must be taken by the government, the production team, and anyone concerned with the industry. I see strong talent everywhere, the only thing left to do is to open up the path to display these abilities.”

“For me, no film can top “Jibon Theke Neya.” All the films are quite dear to me, but this film occupies a special place in my heart like no other. Whenever I see people flocking towards Shaheed Minar to pay their respects on February 21, I vividly remember the time we all went to the Probhat Ferry for shooting on the day. Anwar Hossain, Razzak, Shawkat Akbar, Rosy Samad and I, along with a few others, had been in the car, and the crowds milling about were so elated to see us that when they flooded towards our vehicle, it felt as though it had been lifted off its wheels, floating among the crowd. My love for the film resonates with February 21, and whenever I watch the proceedings the immediate reality juxtaposes with my memories, leaving me with a feeling quite special and unparalleled.”