After a hectic day at work, I found myself rushing to Gallery Chitrak last Sunday evening to indulge in “Nandonpot”, a group art exhibition inaugurated on the day of the summer solstice (June 21). I could hardly control my excitement before entering the gallery, and like most of the time, I was not disappointed. “Nandonpot” is a visual group art exhibition displaying artworks by artists from various generations. Notably, Eminent artist Professor Hamiduzzaman Khan, art critic Moinuddin Khaled, and Country Chief Risk Officer Mohammad Enamul Haque of Standard Chartered Bank, attended the opening ceremony as guests.
Drik Gallery today wrapped up an exhibition on the emergence and evolution of child care facilities in Bangladesh through the photography of Md Rakibul Hasan. In collaboration with the International Labour Organization (ILO) and the Bangladesh Institute of Labour Studies (BILS), the exhibition “Keeping Childcare in Picture” intends to inform the masses and create awareness about the necessity and nature of child care facilities in our country.
“O Death O Dance”, a solo visual art exhibition displaying artist Mobassir Alam Mazumder's compositions, is as mystical and beautiful as its name. During its inauguration on May 6 at the Bishwo Shahitto Kendro Art Gallery, veteran painter and Professor Emeritus Rafiqun Nabi graced the event as the chief guest. Artist and writer Professor Abul Mansur and art critic Syed Azizul Haque also attended the ceremony as speakers. Following the affectionate speeches from the guests, Prof Nabi declared the exhibition to be open for visitors.
Dwip Gallery in Lalmatia opened its doors to the second exhibition of its kind, “Miniscope 2”, on April 26. Flaunting creative gateways for diverse artists from both Bangladesh and India, it is currently hosting miniature and endearing artworks.
When I was merely three, my mother, being a history major and a sibling to freedom fighters, took it upon herself to ingrain the Liberation War and the birth of Bangladesh into my mind. As a result, I grew up learning about “Shangshaptak”, the legendary sculpture representing the spirit of our Liberation War, by the renowned sculptor Hamiduzzaman Khan. I felt like I had hit the jackpot when I got the opportunity to meet him and learn from him during my third semester of the Bachelor of Architecture (BArch) programme. Finally, 11 years later, I experienced an exhibition dedicated entirely to him.
The topographic beauty of Bangladesh owes a debt to its waterbodies. Being a delta embellished with rivers, natural canals, wetlands, lakes, swamps, ponds, and fountains that flow into the Bay of Bengal in the south, the beauty of our land knows no bounds. The spirit of water flows through the veins of Bangladeshi people and the survival of the entire nation revolves around the waterbodies. Thus, our way of life, livelihood, and pretty much everything is centred around water. These ever-familiar images of rural Bangladesh and its people are powerfully portrayed on artist Zannat Keya’s canvases.
Artist Al-Akhir Sarker’s solo art exhibition “Satoborsher Dhaka” — a visual journal of our beloved Dhaka city and its transformation over the past few centuries — is underway at Bhumi Art Gallery in association with Shilpangan. Inaugurated yesterday, the ceremony was attended by the trustee of the Liberation War Museum and writer Mofidul Haque as the chief guest, and prominent architect Mustapha Khalid Palash as the special guest. The exhibition is dedicated to Foyez Ahmed, a Bikrampur-born legendary journalist, who grew up in Dhaka. Ahmed held onto the memoir of the city and its changes while becoming a pioneer of art galleries in Dhaka himself.
Growing up, I have read plenty of fairy tales, imagining those storied multiverses vividly. The colours and textures I visualised and sensed while reading those tales existed only in my mind. That was until I entered Bhumi Art Gallery last Sunday — the venue where “Epic Journey of a Migratory Bird”, the second solo painting exhibition by Syed Golam Dastagir, is on display.
Reaching the 3rd level of Bengal Shilpalay, the first art piece greeting me in the lift lobby with its unique appearance was "Ria Moni", a tower constructed with children's toys. Created by Afsana Sharmin, this sculpture is a memorial for the six-year-old Riya Gope, who was shot dead on her apartment's rooftop during the Student Against Discrimination (SAD) Movement, leaving her family devastated. An intimidating installation with bamboo, sharp objects, water lilies, and severed doll parts is her way of visualising the movement.
The name of the late legendary artist Kazi Abdul Baset stands strong among the intellectuals who contributed significantly to Bangladesh's artistic and cultural progress even before independence. In tribute to the drawings and paintings he created from the ‘60s to the ‘90s, a solo exhibition titled “Brishti-te Roder Kona” is currently being hosted at Bengal Shilpalay. The Bengal Arts Program has curated the exhibition.
The everlasting beauty of Bengal and her women, the past relics, and the present elements are currently assembled at Lone Star College Art Gallery, City of Tomball, Texas — creating a window from the USA, across the Atlantic, to Bangladesh. Tasnuva Rahman, a Bangladeshi-American visual artist has adorned the walls of the gallery with her heritage, memoir, and artistry for her second solo exhibition titled “Bengal Bliss and Harmony”. The event, curated by Jill Brumer, chair of the Fine Arts Department at Lone Star College and associate professor of Drama, is currently taking place in Texas.
A versatile artist, SAM Showket Hossain, competent in landscapes, still lives, abstract paintings, line art, and floral paintings — all of which radiate undeniable charms — uses colors and subjects fanning out the peaceful essence of a Friday morning. His skills have the ability to draw the attention of artists and non-artists alike.
Upon entering the gallery, the first drawing that intrigued me was that of a circle of infants with elongated heads. The artist through this drawing showed the immature extremism of people who blindly follow ideals without even questioning anything.
The exhibition title, “Matir Manush” (which means "people of the soil"), is a term used to describe humble, down-to-earth individuals. Fittingly, the tepa dolls often depict our people, birds, and animals.
Artists Masuda Khatun Jui and Jafrin Gulshan, who incorporate their passion and skills to touch the shores of surrealism, realism, and symbolism, forge intriguing art pieces that are not just for the eyes, but also for the depths of our minds. These paintings and installations— currently being hosted as a duet visual arts exhibition, titled “Embracing Inharmonious”, at Kala Kendra— delve into the women, lifestyles, thought processes, and political, social, and cultural aspects of our country.
The finest characteristic of Amitab’s paintings is that they invoke emotions and create a chain of thoughts. His artworks speak of his commitment to proportions and balance. His imagination comes alive through the colours and textures of his canvases. Calm and chaos both exist in his works harmoniously. According to the curator, the artist orchestrates atemporal, and spatial configurations with deliberate and methodical approaches and they align with the aesthetics of the abstract.
Artist and researcher Sabyasachi Hazra, who graduated from the Faculty of Fine Arts at the University of Dhaka, has become popular amongst the young and up-and-coming artists of this country primarily due to his unique strokes and style.
Jayatu Chakma, an emerging artist from Rangamati, unveils his second solo exhibition, "Until the Rongrang Sings", the first one being held in Kolkata. Renowned figures like Artist and Professor Dhali Al Mamooon and Queen Yan Yan, advisor of Chakma Circle and Indigenous Human Rights activist, graced the inauguration ceremony.
