After a hectic day at work, I found myself rushing to Gallery Chitrak last Sunday evening to indulge in “Nandonpot”, a group art exhibition inaugurated on the day of the summer solstice (June 21). I could hardly control my excitement before entering the gallery, and like most of the time, I was not disappointed. “Nandonpot” is a visual group art exhibition displaying artworks by artists from various generations. Notably, Eminent artist Professor Hamiduzzaman Khan, art critic Moinuddin Khaled, and Country Chief Risk Officer Mohammad Enamul Haque of Standard Chartered Bank, attended the opening ceremony as guests.
Drik Gallery today wrapped up an exhibition on the emergence and evolution of child care facilities in Bangladesh through the photography of Md Rakibul Hasan. In collaboration with the International Labour Organization (ILO) and the Bangladesh Institute of Labour Studies (BILS), the exhibition “Keeping Childcare in Picture” intends to inform the masses and create awareness about the necessity and nature of child care facilities in our country.
“O Death O Dance”, a solo visual art exhibition displaying artist Mobassir Alam Mazumder's compositions, is as mystical and beautiful as its name. During its inauguration on May 6 at the Bishwo Shahitto Kendro Art Gallery, veteran painter and Professor Emeritus Rafiqun Nabi graced the event as the chief guest. Artist and writer Professor Abul Mansur and art critic Syed Azizul Haque also attended the ceremony as speakers. Following the affectionate speeches from the guests, Prof Nabi declared the exhibition to be open for visitors.
Dwip Gallery in Lalmatia opened its doors to the second exhibition of its kind, “Miniscope 2”, on April 26. Flaunting creative gateways for diverse artists from both Bangladesh and India, it is currently hosting miniature and endearing artworks.
When I was merely three, my mother, being a history major and a sibling to freedom fighters, took it upon herself to ingrain the Liberation War and the birth of Bangladesh into my mind. As a result, I grew up learning about “Shangshaptak”, the legendary sculpture representing the spirit of our Liberation War, by the renowned sculptor Hamiduzzaman Khan. I felt like I had hit the jackpot when I got the opportunity to meet him and learn from him during my third semester of the Bachelor of Architecture (BArch) programme. Finally, 11 years later, I experienced an exhibition dedicated entirely to him.
The topographic beauty of Bangladesh owes a debt to its waterbodies. Being a delta embellished with rivers, natural canals, wetlands, lakes, swamps, ponds, and fountains that flow into the Bay of Bengal in the south, the beauty of our land knows no bounds. The spirit of water flows through the veins of Bangladeshi people and the survival of the entire nation revolves around the waterbodies. Thus, our way of life, livelihood, and pretty much everything is centred around water. These ever-familiar images of rural Bangladesh and its people are powerfully portrayed on artist Zannat Keya’s canvases.
Artist Al-Akhir Sarker’s solo art exhibition “Satoborsher Dhaka” — a visual journal of our beloved Dhaka city and its transformation over the past few centuries — is underway at Bhumi Art Gallery in association with Shilpangan. Inaugurated yesterday, the ceremony was attended by the trustee of the Liberation War Museum and writer Mofidul Haque as the chief guest, and prominent architect Mustapha Khalid Palash as the special guest. The exhibition is dedicated to Foyez Ahmed, a Bikrampur-born legendary journalist, who grew up in Dhaka. Ahmed held onto the memoir of the city and its changes while becoming a pioneer of art galleries in Dhaka himself.
Growing up, I have read plenty of fairy tales, imagining those storied multiverses vividly. The colours and textures I visualised and sensed while reading those tales existed only in my mind. That was until I entered Bhumi Art Gallery last Sunday — the venue where “Epic Journey of a Migratory Bird”, the second solo painting exhibition by Syed Golam Dastagir, is on display.
Novera Ahmed is known to me as ‘Rani khala’, and I hold her in tremendous respect as my aunt. She was a trailblazer, unafraid to pursue her dreams regardless of societal expectations. As an artist, I do feel the weight of comparison, but she exists on a different plane.
Our recent visit to Bengal Shilpalay on the closing day of “Bangladesher Lokoshilpo: Chitrito Mritshilpo” took both my mother and me back to our cherished childhood.
The “Urban Construction” series portrayed the components of cityscapes in the most minimalistic forms. “Spiritual Journey” illustrates silhouettes of a person in different poses, while “Portraying a Farmer Life” depicts the importance of farmers in our economy.
From children’s books to internationally applauded films, from lyrical ballads to Netflix series, wherever we put our senses, they are filled with the legacy of the “Bard of Bengal”, Rabindranath Tagore. Do we ever ask ourselves what we would do without him? Do we wonder how the entire culture of the Indian subcontinent is wrapped around his existence?
The inauguration of “Maya” took place at Bengal Shilpalay on July 22.
With the aim of reminiscing the Mymensingh Art Fest, an art exhibition was organised in collaboration with the Faculty of Fine Arts, University of Dhaka (DU), at the Zainul Gallery at DU on July 17, 2023.
Something people often fail to notice is the woman’s hand wrapping the man is a lot like a halo as if the entire idea of romantic love is something holy and angelic.
The question we ask ourselves forever is –how do we evaluate art? Very often, our prejudice makes us assess an artwork depending on an artist’s experience, age, gender, or simply grandeur.
Ata Mojlish is one of the emerging modern multimedia artists, whose work has made an impact upon people who rebel against the negativity dominant in our society.
Preema Nazia Andaleeb is a visual artist from Bangladesh, and also an entrepreneur and cultural influencer. She has represented Bangladesh Creative Industry at the prestigious Cannes Lions Festival of Creativity in Cannes, France since 2014.
