Maisha Syeda

Maisha Syeda is a writer, painter, lecturer, and the Sub editor of Star Books and Literature.

A walk through free (?) Dhaka

Bangladesh has gone through a day of historical proportions, and the people on the streets seem to know this.

3m ago

All that I shouldn’t have known

What I wish I didn’t know is that when your dear friends whisper the word “psycho” behind your back, you’ll grow up accepting it.

4m ago

Shrines

Words have crashed onto your shores,

7m ago

TRIGGER WARNING: Agency, autonomy, and female smoking

A month ago, as I waited for a friend in Banani, I decided to grab a packet of cigarettes. I’m not good at calculations for loose change and the vendor, old and seemingly disoriented, was having a hard time too.

8m ago

The sound of Dhaka city

Once on a particularly smothering hot day, on a CNG ride to work, I was stuck in the most heinous traffic for over two hours. Over the yelling drivers, honking cars, and incessant cursing over why the CNGs were trying to overtake the expensive cars, I was listening to my usual cycle of songs. As coincidence would have it, David Gilmour in his seraphic voice posed the question: “So, so you think you can tell/ Heaven from hell?”

1y ago

In the sand dunes

His face was growing warmer, it seemed as though the intangible entity that was stinging his closed eyes was growing stronger.

1y ago

Of ‘BONOBIBI’ and music as a form of storytelling

The verses remind us that a withering, war-torn Earth can still birth new life and hopes of freedom.

1y ago

On Coke Studio Bangla x Meghdol’s ‘BONOBIBI’ and music as a form of storytelling

When Coke Studio Bangla released Meghdol’s Bonobibi, their second song of season 2, listeners found themselves torn between loving the song and questioning it. Questioning as to why the song was done under the banner of Coke Studio, a project funded by an American-based multinational corporation; questioning what qualifies Meghdol, a band known for singing about urban life in Dhaka city, to sing about tales originating in the Sundarbans; and why the song didn’t delve deeper into the history and background of the stories they were trying to tell. It has raised a wider question about how music plays a role in storytelling.

1y ago
August 5, 2024
August 5, 2024

A walk through free (?) Dhaka

Bangladesh has gone through a day of historical proportions, and the people on the streets seem to know this.

June 29, 2024
June 29, 2024

All that I shouldn’t have known

What I wish I didn’t know is that when your dear friends whisper the word “psycho” behind your back, you’ll grow up accepting it.

March 30, 2024
March 30, 2024

Shrines

Words have crashed onto your shores,

March 7, 2024
March 7, 2024

TRIGGER WARNING: Agency, autonomy, and female smoking

A month ago, as I waited for a friend in Banani, I decided to grab a packet of cigarettes. I’m not good at calculations for loose change and the vendor, old and seemingly disoriented, was having a hard time too.

October 7, 2023
October 7, 2023

The sound of Dhaka city

Once on a particularly smothering hot day, on a CNG ride to work, I was stuck in the most heinous traffic for over two hours. Over the yelling drivers, honking cars, and incessant cursing over why the CNGs were trying to overtake the expensive cars, I was listening to my usual cycle of songs. As coincidence would have it, David Gilmour in his seraphic voice posed the question: “So, so you think you can tell/ Heaven from hell?”

September 2, 2023
September 2, 2023

In the sand dunes

His face was growing warmer, it seemed as though the intangible entity that was stinging his closed eyes was growing stronger.

March 18, 2023
March 18, 2023

Of ‘BONOBIBI’ and music as a form of storytelling

The verses remind us that a withering, war-torn Earth can still birth new life and hopes of freedom.

March 18, 2023
March 18, 2023

On Coke Studio Bangla x Meghdol’s ‘BONOBIBI’ and music as a form of storytelling

When Coke Studio Bangla released Meghdol’s Bonobibi, their second song of season 2, listeners found themselves torn between loving the song and questioning it. Questioning as to why the song was done under the banner of Coke Studio, a project funded by an American-based multinational corporation; questioning what qualifies Meghdol, a band known for singing about urban life in Dhaka city, to sing about tales originating in the Sundarbans; and why the song didn’t delve deeper into the history and background of the stories they were trying to tell. It has raised a wider question about how music plays a role in storytelling.

March 16, 2023
March 16, 2023

Afternoons at the Bijoy Sarani signal

“I wonder what she’ll wear tomorrow,” he mumbled as his eyes drooped shut.

March 3, 2023
March 3, 2023

‘Bonbibi’: When music has a soul

I’m no musician; my knowledge of good and bad music goes much beyond the superficial but, what do I know of the technicalities that goes into creating something that emerges as an enchanting composition?