Textbooks in Bangladesh tend to be written by foreign authors. Those that are written by Bangladeshi authors, emphasise on examples in a non-Bangladesh context.
Divakaruni has a message to send with this novel. To her, independence entails not just liberation or freedom from subjugation, it also means doing the right thing for oneself and for the people around us.
Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
It is the disease that maintains the upper hand in the plot. A jarring voice of its own, the toxins spilling across the pages in bold, chaotic words.
Part memoir, part magical realism, this is a story about identity and the idea of home.
The story of the ailing Bhawal prince, Ramendranarayan Roy, the Mejo Kumar, who while taken to Darjeeling to recuperate, died and was cremated there, under mysterious circumstances, and who then returned years later as a wandering ascetic with partial amnesia!
Andy Warhol suggested they tape their conversations on his Sony Walkman, to which Truman Capote agrees.
Nehru was revolted by Nazism and the persecution of Europe’s Jews. Bose…felt that the Indian struggle for freedom should override all other considerations.
In the middle of an Islamabad night, just before the Pakistan election of 2013, the Irish journalist Declan Walsh was visited by “angels”.
An 81-year-old woman is strolling about in her farm, reeling from nostalgia, dead leaves crunching under her feet. She is planting newly bloomed flowers in an empty pig pen.
The two batches of casting announcements for Netflix’s The Sandman have given fans of the iconic comic book series—after several years of “development hell” and pessimism—reasons finally for optimism. Now to be realised as a television series after decades of ill-starred cinematic attempts, Neil Gaiman’s The Sandman (DC Comics) can finally begin its ascent into our side of reality.
Amidst the looming threat of the COVID-19, Bangladesh has lost some of its greatest minds in the past year. Among them were three individuals who were in active roles at the Bangla Academy, an organisation that, since its inception on the tailwind of the 1952 Language Movement, has been upholding the national identity and intellectual development of Bangalis.
Grow Your Reader, an organisation founded recently on the directive of “ensuring quality education” for underprivileged children, has launched Book Garage, which opened its doors on the first of June. The initiative is founded on a simple ethos—leave your old books behind, so those that don’t have the means can pick up and discover a new book for free.
In 1857, a wave of uprisings sparked through India in a bid to overthrow the British rulers. The Sepoy Mutiny was the first time Indian soldiers rose against the British East India Company in the face of corruption and unjust social reforms—including ruthless land taxes that unfairly penalised the working class.
Three years ago, I remember watching Noor Imran Mithu’s film Komola Rocket (2018) at Bashundhara City with two of my friends. I miss those days when going to a theatre was a normal occasion.
Gabriel Krauze is not your average Booker-longlisted author. He rocks streetwear, Air Maxes, gangster chains, and most importantly a big grin that unveils his signature “iced grillz”—a statement of one’s journey on the streets.
Lal Shontrash: Siraj Sikder O Sarbahara Rajneeti (Baatighar, 2021) is about the birth, growth, and withering away of a revolutionary organisation about which most Bangladeshis have heard and very many are curious.
A long time ago in a galaxy far, far away—or 44 years ago in US cinemas on May 25, to be exact—a phenomenon was born. Today, we know the release as Episode IV: A New Hope but back when it came out in 1977, the film was more prominently known by the title which permeates throughout the world today: Star Wars.