Sanjay Leela Bhansali is credited with bringing out the best performances of his actors, whether it's Aishwarya Rai in "Hum Dil De Chuke Sanam", Rani Mukerji in "Black", Deepika Padukone in "Bajirao Mastani", Ranveer Singh in "Padmaavat", or Alia Bhatt in "Gangubai Kathiawadi". His latest release, "Heeramandi: The Diamond Bazaar", has a wide range of actors, from his first leading lady Manisha Koirala to his niece, Sharmin Segal.

Sharmin, who has assisted Bhansali on all his recent directorials, made her acting debut with his 2019 production "Malaal". In her streaming debut, which could serve as her re-launchpad, Sharmin plays Alamzeb, the daughter of Heeramandi brothel madam Mallikajaan, played by Manisha Koirala, who dreams of a future outside of the courtesan's fate. However, the audience panned her rather bland performance, claiming that she stuck out among the more seasoned cast.

While neither Sharmin nor Bhansali opened up on the criticism towards her portrayal, the filmmaker shared with Hindustan Times in a recent interview how he worked with Sharmin on the sets. "She kept saying, 'Mama, I'll underplay.' I said, 'Underplay? Are you thinking I'm going to ask you to overplay?"

Bhansali, however, added that he found her "new energy" fascinating. "I know that they [the new generation of actors] love me as much. I can see it in the way [they ask me], 'Are you happy? Should we do one more take? Can we do it one more time? Are you okay? I can see that love in their eyes. Now that's very rare," he added.

While on one hand, Bhansali had Sharmin, on the other, he reunited with his first leading lady, Manisha Koirala. She first worked with Bhansali on Vidhu Vinod Chopra's 1994 period drama "1942: A Love Story", in which Bhansali directed her in memorable songs like "Pyaar Hua Chupke Se" and "Kuchh Na Kaho". He then cast her in his 1996 directorial debut, "Khamoshi: The Musical". Manisha got a call from him over 15 years later for the role of Mallikajaan in "Heeramandi".

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"She sat on the set every time for 7 hours, putting mehendi and then giving two shots. She'd go home, put the mehendi for seven hours again the next day, give two shots again and then go home. It's unbearable," said Bhansali. "And yet she gave me the best takes in those two shots. The scene in which she says, 'Chaand baramde mein utarta nahi.' I knew she got her sur there itself. She looked just splendid. So each one is giving me something to take home," added Bhansali.