Rabindranath Tagore (1861-1941) needs no introduction for us. As a polymath, he was the first non-European to be awarded the Nobel Prize in Literature, in 1913. We are aware that Rabindranath at the same time was much more than a writer. Through his poems, novels, short stories, poetic songs, dance-dramas and paintings, he transformed Bengali literature and Indian art. He was instrumental in bringing Indian culture to the West, and like his contemporary and close friend Mahatma Gandhi, strove to create a less divided society through mutual respect and understanding. Umpteen numbers of volumes have been written on different perspectives of Tagore and his works, but irrespective of special areas of study, when someone wants to read his complete critical biography in English now, he or she faces a great lacuna.

There is hardly a single volume that can be recommended to give us an authentic critical biography within a reasonable number of pages. It is true that  Krishna Kripalani's Rabindranath Tagore: A Biography has become dated, Nityapriya Ghosh's Rabindranath Tagore: A Pictorial Biography is rather sketchy, Sabyasachi Bhattacharya's Rabindranath Tagore: An Interpretation, Uma Dasgupta's My Life in My Words, Debarati Bandyopadhyay's Rabindranath Tagore: A Life of Intimacy with Nature or Rekha Sigi's Gurudev Rabindranath Tagore: A Biography (in the Diamond Pocket Books series) do give us biographical details of the Poet, but no single volume is all-inclusive with most relevant details narrated objectively and mentioning his entire life and times. So, the average reader in the West remains with the misconceived notion that Tagore was a poet and philosopher, the first Asian to receive the Nobel Prize, and that he made several trips to different countries around the world and delivered lectures in order to raise funds for his experimental school and university back home in Santiniketan, India. And that is all.

It is here that one needs to acknowledge the significant contribution of the present book under review. As part of a series entitled "Critical Lives" that presents the work of leading cultural figures of the modern period all over the world, Rabindranath Tagore by Bashabi Fraser stands as the only non-westerner in the long list of artists, writers and philosophers that have been published till date. Written within the framework of twelve chapters, this critical and biographical study reassesses this Renaissance man who embodies the modern consciousness of India, engaged as he was in nation building and contributing to the narrative of a nation. Tagore's life and work are inseparable, so an analytical reappraisal of the familial, socio-political and cultural background provides a prism through which one can understand Tagore as a writer, artist and pragmatist. The fact that he draws on his Indian past, uses the Upanishadic tenets, weighs the contingency of the current times and is eclectic in the way he values and imbibes Western values and technological and scientific development shows how he provided within himself an infusion that embodies progress.

The first chapter "The Tagores of Jorasanko" highlights the family background of the Tagores beginning from the establishment of the family house in Jorasanko by Nilmoni Kushari in 1784 and is seen in the perspective of changing times. With his grandfather Dwarkanath Tagore, his father Debendranath Tagore, the men and women of this family rode on the high tide of change and reform that propelled India into the modern era. The second chapter focuses how Rabindranath grew up in that teeming household as the fourteenth child till it was the time for his English interlude in 1878. After narrating about his days at Shelidah in the land of the Padma, the fifth chapter focuses on the establishment of the school in 1901 at Santiniketan, the abode of peace. The method of rote learning which prevailed at the time was replaced here by creative and innovative education. Tagore believed that his institution could contribute to freeing the minds of his people through a liberal and holistic education and through rural regeneration.

The writing of Gitanjali, the winning of the Nobel Prize in 1913, the renunciation of Knighthood, his establishment of Visva-Bharati university as a cultural learning centre promoting cooperation and coordination between the East and the West with its motto yatra visham bhavati ekanidam (where the world meets in one nest), his trips to various European and American cities, his trip to Japan where he delivered his views on Nationalism, his interactions with Mahatma Gandhi regarding the political turmoil in the country, all find adequate mention in the remaining chapters. Apart from mentioning Tagore's introduction of new forms and genres in literature, the last two chapters also discuss his modernity and his legacy at home and in the world.  The private/public dichotomy in Tagore's choices, attitudes and responses to events and people epitomizes his ambivalence and the diverse responses to the poet's person and work in his lifetime and after. Even when he wrote "Crisis in Civilization" in 1941 as a subject of a subject nation, he did not lose his faith in humanity.

 Fraser concludes the biography by stating that in a world of rising conflict, alarming friction and widening fissures, Tagore's syncretism remains a lasting legacy. He sought a positive outcome of the East-West encounter and exchange, so that the 'universal man' could meet and interact through a transnational dialogue. This syncretic culture imbues the vast oeuvre of his work; it has propelled his activism and lives in his pragmatic projects today. His conviction that truth, love and compassion can nurture an amicable future between nations for a sustainable world makes Tagore a man for all ages.

Bashabi Fraser is an academic, poet and the co-founder and Director of the Scottish Centre of Tagore Studies (ScoTs) in Edinburgh. Recently she was awarded the CBE (Commander of the Order of the British Empire), one of the highest civilian honours of the UK by the Queen in recognition of her services to education and culture in Scotland. So, this critical biography of the Poet could not have come from someone more competent than her, especially because it was not only written with the western readership in mind but it filled up the long-standing lacunae of reading a complete, compact, yet comprehensive biography of Rabindranath Tagore in the twenty-first century. Tagore's liberal humanism and modernity make him relevant today and his place in world literature can be endorsed by a close study of his life, times and work. The difficulty of separating the grain from the chaff has been overcome with such finesse that reading this just over two-hundred pages biography is indeed commendable. The numerous black and white photographs provided by the Rabindra Bhavan archives add to the attraction of this volume. 

Somdatta Mandal is Former Professor of English, Visva-Bharati, Santiniketan, India.