On a show featuring a stellar lineup, which included the epitomes of '90s Bangla rock — Miles, Nagar Baul, Ark, and Dalchhut — alongside Drockstar Shuvo and the prodigious Oni Hasan, with Jon Kabir, Jamshed Chowdhury, and Kazi Zohad Yazdani, perhaps the most delightful scene was seeing a notable number of attendees who grew up in the 1980s and 1990s.
The essence of the events Bangladesh witnessed during the student-led mass uprising in July and August, which escalated into a bloodied revolution, ultimately toppling the regime of former Prime Minister Sheikh Hasina and giving rise to what we now call a new Bangladesh, is truly inexplicable.
The new Bangladesh achieved through the student-led and bloodied revolution in July-August is witnessing the most devastating flood crisis in recent collective memory. However, people from all walks of life promptly responded, collaborating for aid and rescue missions.
In the wake of two triumphant editions, the third edition of the exhibition of the principal local event celebrating the practice of photojournalism in the country, the “Bangladesh Press Photo Contest 2024”, lifted its curtains yesterday. While the exhibition is taking place on the second floor, the inaugural event took place in the house-full eighth-floor gallery of the capital's DrikPath Bhobon.
The show “Guitar Clinic With Oni Hasan” meticulously organised by Mavix Global at the Liberation War Museum auditorium last Thursday (May 16) featured musical maestros like Mizan Rahman and Ershad Zaman. The event was a rather dreamlike affair — especially for the up-and-coming guitar enthusiasts amongst the audience inside the venue.
In August of 1960, on the ground floor of the Central Public Library building of the University of Dhaka, showcasing 75 of her artworks sculpted between 1956 and 1960, Novera Ahmed had her first solo exhibition titled “Inner Gaze." This formidable exhibition arguably sparked the genesis of modern sculpting practice in both West and then East Pakistan (now present-day Bangladesh). She was the first-ever sculptor from the undivided Pakistani region.
Michelangelo’s list of magnum opuses includes his most famous amongst the Pietas, “La Madonna Della Pieta” (1498-99), which depicts the body of Jesus in the lap of Mother Mary after the Crucifixion. “David”(1501–1504), which is arguably the greatest ever sculpture ever carved. Last, but not least, and one of the most recognised pieces of art that even morphed into contemporary pop culture, “The Creation of Adam" (1508–12), which is part of the majestic frescoes that he created at the ceilings of The Sistine Chapel.
Eighty-six years after Sayeeda's birth, these facts still resound, underscoring the pivotal role of parenting and support systems in shaping someone's journey, regardless of the societal norms they were born into. However, winning the birth lottery didn’t mean it was easy for Sayeeda; what she accomplished with a camera, paving the way for future generations of female photographers, was nothing short of conquering the Himalayas.
On a show featuring a stellar lineup, which included the epitomes of '90s Bangla rock — Miles, Nagar Baul, Ark, and Dalchhut — alongside Drockstar Shuvo and the prodigious Oni Hasan, with Jon Kabir, Jamshed Chowdhury, and Kazi Zohad Yazdani, perhaps the most delightful scene was seeing a notable number of attendees who grew up in the 1980s and 1990s.
The essence of the events Bangladesh witnessed during the student-led mass uprising in July and August, which escalated into a bloodied revolution, ultimately toppling the regime of former Prime Minister Sheikh Hasina and giving rise to what we now call a new Bangladesh, is truly inexplicable.
The new Bangladesh achieved through the student-led and bloodied revolution in July-August is witnessing the most devastating flood crisis in recent collective memory. However, people from all walks of life promptly responded, collaborating for aid and rescue missions.
In the wake of two triumphant editions, the third edition of the exhibition of the principal local event celebrating the practice of photojournalism in the country, the “Bangladesh Press Photo Contest 2024”, lifted its curtains yesterday. While the exhibition is taking place on the second floor, the inaugural event took place in the house-full eighth-floor gallery of the capital's DrikPath Bhobon.
The show “Guitar Clinic With Oni Hasan” meticulously organised by Mavix Global at the Liberation War Museum auditorium last Thursday (May 16) featured musical maestros like Mizan Rahman and Ershad Zaman. The event was a rather dreamlike affair — especially for the up-and-coming guitar enthusiasts amongst the audience inside the venue.
In August of 1960, on the ground floor of the Central Public Library building of the University of Dhaka, showcasing 75 of her artworks sculpted between 1956 and 1960, Novera Ahmed had her first solo exhibition titled “Inner Gaze." This formidable exhibition arguably sparked the genesis of modern sculpting practice in both West and then East Pakistan (now present-day Bangladesh). She was the first-ever sculptor from the undivided Pakistani region.
Michelangelo’s list of magnum opuses includes his most famous amongst the Pietas, “La Madonna Della Pieta” (1498-99), which depicts the body of Jesus in the lap of Mother Mary after the Crucifixion. “David”(1501–1504), which is arguably the greatest ever sculpture ever carved. Last, but not least, and one of the most recognised pieces of art that even morphed into contemporary pop culture, “The Creation of Adam" (1508–12), which is part of the majestic frescoes that he created at the ceilings of The Sistine Chapel.
Eighty-six years after Sayeeda's birth, these facts still resound, underscoring the pivotal role of parenting and support systems in shaping someone's journey, regardless of the societal norms they were born into. However, winning the birth lottery didn’t mean it was easy for Sayeeda; what she accomplished with a camera, paving the way for future generations of female photographers, was nothing short of conquering the Himalayas.
Despite the ceaseless drizzle in Dhaka, brought about by the deep depression soon to evolve into a cyclone, hundreds of metalheads braved the weather to storm into mosh pits at the "Legacy of Metal Revived" event last Friday at the Liberation War Museum auditorium.
Dhaka witnessed a mighty crowd of music lovers this year at yesterday’s “Cholo Bangladesh Concert” organised by the telecom giant Grameenphone and AsiaticExp at the Army Stadium. The star-studded line-up consisting of some of the finest musical acts of the country varying across genres, delivered yet another show for audiences to cherish for a long time.
