Nazia Manzoor
Dr Nazia Manzoor teaches English at North South University. She is also Editor, Daily Star Books and Literature. Reach her at nazia.manzoor@gmail.com.
Dr Nazia Manzoor teaches English at North South University. She is also Editor, Daily Star Books and Literature. Reach her at nazia.manzoor@gmail.com.
One does not need to remember Rabindranath on the occasion of the anniversary of his death—22 Srabon or August 7 to be precise.
Over the last two semesters, my course on South Asian writing at both the undergraduate and graduate level begins with Shahidul Zahir’s Jibon O Rajnoitik Bastobata (Life and Political Reality, translated by V Ramaswamy and Shahroza Nahreen).
One of the movements which helped accelerate the Liberation War of Bangladesh was the Mass Uprising of 1969.
When Gayatri Spivak ends her groundbreaking essay “Can the Subaltern Speak?” (1988) with a definitive statement “the subaltern cannot speak”, a section of literary criticism took that dictum literally—accepting the “cannot” to represent mutism or an inability to speak.
As we close the curtains on the first month of the new year and step into the second, here at Star Books and Literature, we are thinking back on the year we had.
No amount of activism is enough to bring an end to gender-based violence when women’s and girls’ lives are considered less than that of their male counterparts.
This week, then, we're thinking: music and books, music and literature. In print and online, we're dreaming in tunes, dancing with words, daring to merge the two.
Teachers are no longer the valued, moral arbiters of society that we once deemed them to be.
One does not need to remember Rabindranath on the occasion of the anniversary of his death—22 Srabon or August 7 to be precise.
Over the last two semesters, my course on South Asian writing at both the undergraduate and graduate level begins with Shahidul Zahir’s Jibon O Rajnoitik Bastobata (Life and Political Reality, translated by V Ramaswamy and Shahroza Nahreen).
One of the movements which helped accelerate the Liberation War of Bangladesh was the Mass Uprising of 1969.
When Gayatri Spivak ends her groundbreaking essay “Can the Subaltern Speak?” (1988) with a definitive statement “the subaltern cannot speak”, a section of literary criticism took that dictum literally—accepting the “cannot” to represent mutism or an inability to speak.
As we close the curtains on the first month of the new year and step into the second, here at Star Books and Literature, we are thinking back on the year we had.
No amount of activism is enough to bring an end to gender-based violence when women’s and girls’ lives are considered less than that of their male counterparts.
This week, then, we're thinking: music and books, music and literature. In print and online, we're dreaming in tunes, dancing with words, daring to merge the two.
Teachers are no longer the valued, moral arbiters of society that we once deemed them to be.
What codes of safety and protection can ensure women’s right to, well, exist?
In two of the more prominent fictional works that are part of the diasporic South Asian literary production, Jhumpa Lahiri’s The Namesake and Mohsin Hamid’s The Reluctant Fundamentalist, food is presented as a conceptual apparatus that makes palatable the tensions of ‘multiculturalism’ and offers a critique of class barriers—if not always at the level of economics, but at the level of consciousness.