Tasmina Khan Majles, the talented multidisciplinary artist of Bangladeshi heritage, has taken the brush to channel her inner psyche that is a weave of her conscious and unconscious mind through painting.
Our recent visit to Bengal Shilpalay on the closing day of “Bangladesher Lokoshilpo: Chitrito Mritshilpo” took both my mother and me back to our cherished childhood.
The four-day event, held at the Edge Gallery on Gulshan North Avenue, features a collection of paintings and sculptures by 26 of the country’s leading veterans and emerging artists from Bangladesh’s art industry. Rumana Chowdhury, the editor and publisher of MW Bangladesh, is the curator of the event.
“Texture and mixture”, with 67 artworks on display, was inaugurated on July 28 at Kala Kendra in the presence of economist and writer Anu Mohammad, and political activist, feminist and environmentalist Khushi Kabir.
A total of 30 artworks are adorning the gallery space of the exhibition, most of which are in the media of etching and aquatint.
The question we ask ourselves forever is –how do we evaluate art? Very often, our prejudice makes us assess an artwork depending on an artist’s experience, age, gender, or simply grandeur.
“Choloman Upakhyan” consists of photographs of five visual lens based artists. They have chosen different social issues to portray through their own perspectives.
Sarkar Nahid Niazi is a freelance artist who completed her education in drawing and painting from the Institute of Fine Arts, University of Dhaka.
During the workshop, the eight artists –Dina Zaman, Sadia Hussain Ether, Abir Shome, Syed Tareq Rahman, Jewel A. Rob, Sanjid Mahmud, Rupam Roy, Emran Sohel produced art pieces along with the kids of Shishupolli. Dina herself wore full white clothes and asked the kids to paint on them. They also painted with the art supplies they received at the workshop. It ended with a small cultural program by the residents of Shishupolli.
Tasmina Khan Majles, the talented multidisciplinary artist of Bangladeshi heritage, has taken the brush to channel her inner psyche that is a weave of her conscious and unconscious mind through painting.
Our recent visit to Bengal Shilpalay on the closing day of “Bangladesher Lokoshilpo: Chitrito Mritshilpo” took both my mother and me back to our cherished childhood.
The four-day event, held at the Edge Gallery on Gulshan North Avenue, features a collection of paintings and sculptures by 26 of the country’s leading veterans and emerging artists from Bangladesh’s art industry. Rumana Chowdhury, the editor and publisher of MW Bangladesh, is the curator of the event.
“Texture and mixture”, with 67 artworks on display, was inaugurated on July 28 at Kala Kendra in the presence of economist and writer Anu Mohammad, and political activist, feminist and environmentalist Khushi Kabir.
A total of 30 artworks are adorning the gallery space of the exhibition, most of which are in the media of etching and aquatint.
The question we ask ourselves forever is –how do we evaluate art? Very often, our prejudice makes us assess an artwork depending on an artist’s experience, age, gender, or simply grandeur.
“Choloman Upakhyan” consists of photographs of five visual lens based artists. They have chosen different social issues to portray through their own perspectives.
Sarkar Nahid Niazi is a freelance artist who completed her education in drawing and painting from the Institute of Fine Arts, University of Dhaka.
During the workshop, the eight artists –Dina Zaman, Sadia Hussain Ether, Abir Shome, Syed Tareq Rahman, Jewel A. Rob, Sanjid Mahmud, Rupam Roy, Emran Sohel produced art pieces along with the kids of Shishupolli. Dina herself wore full white clothes and asked the kids to paint on them. They also painted with the art supplies they received at the workshop. It ended with a small cultural program by the residents of Shishupolli.
