Despite this being his first foray into the anthology format, Mosharraf Karim, being the fine actor that he is, blends seamlessly into his roles.
"Priyo Maloti", starring Mehazabien Chowdhury, has been officially selected for the International Film Festival of India (IFFI), one of Asia's oldest and most prestigious festivals.
The much-anticipated rom-com “36-24-36”, starring actress Parthana Fardeen Dighi, has received an uncut Universal (U) rating from the Censor Certification Board, signaling its suitability for audiences of all ages.
This year’s "Blender's Choice-The Daily Star OTT and Digital Content Awards" highlights these achievements, celebrating standout performances, captivating stories, and visionary direction in the Bangladeshi digital streaming landscape.
Director Rezaur Rahman’s “36-24-36,” originally scheduled for release on Chorki in July, was delayed due to the Anti-discrimination Students Movement that took place that month. Now, the OTT platform has shifted its strategy to boost the cinematic industry by opting for theatrical releases.
Hosted by Aisha Khan, the event brought together talented filmmakers and artistes excelling in the OTT space. Notable attendees included Shihab Shaheen, Shahnaz Sumi, Priyontee Urbee, Syed Ahmed Shawki, Shankha Dasgupta, Raka Noshin Nower, Pulak Aneel, Elita Karim, Mofassal Hossen Alif, and Chorki Content Head Anindo Banerjee.
Produced by Chabial and released on the OTT platform Chorki as part of the “Ministry of Love” series, “Forget Me Not” is a web-film conceptualised by Mostafa Sarwar Farooki and directed by Robiul Alam Robi. Premiering on September 5, the film delves into the complexities of modern relationships against the backdrop of Dhaka’s evolving urban landscape.
Raihan Rafi’s film will be released on not just one, but two OTT platforms. The director shared the news on his official Facebook page.
The film “Hindi Vindi”, an Indian-Australian co-production, is gearing up for its October release in cinemas across India and Australia. The movie features rising star Rupanty Akid in a significant role and is directed by Indian filmmaker Ali Sayed, based in Sydney.
Arifin Shuvoo and Afsan Ara Bindu starrer romantic web-film Unish Bish will be premiering on February 13. Recently, the OTT platform released the teaser, where both the stars created magic with their cracking chemistry on-screen.
Filmmaker Ashfaque Nipun talks to The Daily Star Opinion about how the BTRC's OTT draft regulations, if implemented, could hinder the creatives of Bangladesh.
Popular OTT platform Chorki began its year with feminocentric series "Guti". Within the same month, they are set to release yet another one in the same vein, "Jahan".
Just recently, popular OTT platform Chorki announced another female-centric project, "Jahan", directed by Atiq Zaman.
An impending nightmare for undergraduate students, internships have taken on the facet of many student’s greatest fears. Based on the many aspects of this unexpected journey, Chorki has developed their original series “Internsheep”.
The Azmeri Haque Badhan starrer web-series, “Guti” is all set for release today.
The Asian Academy Creative Awards is one of the most prestigious award shows in the world of cinema, particularly in Asia.
Model and actress Afsana Ara Bindu is returning to the screen after a long 8 years sabbatical, with a yet-to-be-titled romantic film directed by Mizanur Rahman Aryan. She will be acting opposite popular actor Arifin Shuvoo.
Misha Sawdagor, one of Dhallywood’s most popular villains, is all set to debut in OTT with the Chorki Limited Series, “Jodi Ami Beche Firi”. The actor shared an interesting teaser that has left fans intrigued about this upcoming project. The teaser shows Misha Sawdagor stuck in an elevator, repenting for his sins.
With global names like Netflix, HBO, Disney, and Amazon investing heavily in the concept, it is inevitable that local names like Chorki, Hoichoi, Binge, Bongo etc., will continue to flourish equally. As the ecosystem continues to grow, we have numerous questions that come into our minds, such as how much OTT has actually affected the overall entertainment industry, what its future outlook may be, and whether there will be any negative impact, as is usual with any swiftly expanding user platform.