It’s a curious thing, the emotional weight we feel when an actor we admire passes away. The grief feels strange and quiet, almost disproportionate. We’ve never met them, and there was never any real possibility of a personal connection. Yet their absence feels profoundly real, as though someone who had unknowingly become a part of our lives is suddenly gone. It’s far from the raw, visceral pain of losing someone close, but very close to a slow, simmering sadness, more like the loss of a distant but cherished companion. I’ve asked myself this question each time I’ve felt this quiet sense of loss from the passing away of a favourite artiste—why does it feel like losing a personal connection? Why does it resonate so deeply? And I find myself asking it again today, with the passing of the...
For many younger fans in the 21st century, she was best known as Professor McGonagall in all seven "Harry Potter" movies, and the Dowager Countess in the hit TV series and movie spin-offs of "Downton Abbey," a role that seemed tailor-made for an actress known for purse-lipped asides and malicious cracks.
It’s a curious thing, the emotional weight we feel when an actor we admire passes away. The grief feels strange and quiet, almost disproportionate. We’ve never met them, and there was never any real possibility of a personal connection. Yet their absence feels profoundly real, as though someone who had unknowingly become a part of our lives is suddenly gone. It’s far from the raw, visceral pain of losing someone close, but very close to a slow, simmering sadness, more like the loss of a distant but cherished companion. I’ve asked myself this question each time I’ve felt this quiet sense of loss from the passing away of a favourite artiste—why does it feel like losing a personal connection? Why does it resonate so deeply? And I find myself asking it again today, with the passing of the...
For many younger fans in the 21st century, she was best known as Professor McGonagall in all seven "Harry Potter" movies, and the Dowager Countess in the hit TV series and movie spin-offs of "Downton Abbey," a role that seemed tailor-made for an actress known for purse-lipped asides and malicious cracks.
