From heartthrob romantic characters to socially charged roles, Siam Ahmed has steadily established himself as one of Dhallywood’s most versatile and dependable stars. With acclaimed performances in films like “Poramon 2”, “Dohon”, “Mridha Vs Mridha”, and “Fagun Haway”, he has become a familiar name to cinephiles. As Eid draws near, the actor returns to the silver screen with “Jongli”—a film he describes as one of his most personal projects yet.
The 15-day-long 3rd Bangladesh Film Festival came to a close, honouring seven film personas as the ‘Best’ in seven categories.
We at the Seba Bangla Library in Atlanta recently screened Tauquir Ahmed's Fagun Haway (In Spring Breeze). The film, based on the 1952 language movement, is a mixed bag—while it truly soars in concept and approach, its execution is flawed.
Based on the 1952 Language Movement, actor turned director Tauquir Ahmed's latest venture ‘Fagun Haway’ brings forth a promising story on the historic incident.
From heartthrob romantic characters to socially charged roles, Siam Ahmed has steadily established himself as one of Dhallywood’s most versatile and dependable stars. With acclaimed performances in films like “Poramon 2”, “Dohon”, “Mridha Vs Mridha”, and “Fagun Haway”, he has become a familiar name to cinephiles. As Eid draws near, the actor returns to the silver screen with “Jongli”—a film he describes as one of his most personal projects yet.
The 15-day-long 3rd Bangladesh Film Festival came to a close, honouring seven film personas as the ‘Best’ in seven categories.
We at the Seba Bangla Library in Atlanta recently screened Tauquir Ahmed's Fagun Haway (In Spring Breeze). The film, based on the 1952 language movement, is a mixed bag—while it truly soars in concept and approach, its execution is flawed.
Based on the 1952 Language Movement, actor turned director Tauquir Ahmed's latest venture ‘Fagun Haway’ brings forth a promising story on the historic incident.
