Gender bias in Bangladeshi media
Headlines vs Hemlines: The pervasive bias of entertainment journalism against women
A dive into history reveals similar narratives. In 1968, Sharmila Tagore's decision to wear a bikini for a photoshoot wasn't seen as an artiste's choice but became a canvas for societal moral commentary. Fast forward to the present, and Bollywood luminary Deepika Padukone often finds her neckline inciting more fervour than her critically acclaimed roles.
What’s wrong with how we report on violence against women?
It is clear that the way we are talking about violence against women is not working
Headlines vs Hemlines: The pervasive bias of entertainment journalism against women
A dive into history reveals similar narratives. In 1968, Sharmila Tagore's decision to wear a bikini for a photoshoot wasn't seen as an artiste's choice but became a canvas for societal moral commentary. Fast forward to the present, and Bollywood luminary Deepika Padukone often finds her neckline inciting more fervour than her critically acclaimed roles.
What’s wrong with how we report on violence against women?
It is clear that the way we are talking about violence against women is not working