Architect and artist Nazm Anwr created a 450-foot Bangla calligraphy installation in Banani, Dhaka, in two days, blending art, activism, and heritage to reconnect people with language and inspire reflection on public expression.
As a literature student from North South University put it, "Slangs are part of our language. And it's difficult to express frustration and anger without using slangs.
To justify the restrictions, governments run a fear factory.
The Dhaka people are, by now, quite familiar with a graffiti character called Subodh, as he can be seen in the various walls of the city with a sun inside a cage or himself behind the bars.
Architect and artist Nazm Anwr created a 450-foot Bangla calligraphy installation in Banani, Dhaka, in two days, blending art, activism, and heritage to reconnect people with language and inspire reflection on public expression.
As a literature student from North South University put it, "Slangs are part of our language. And it's difficult to express frustration and anger without using slangs.
To justify the restrictions, governments run a fear factory.
The Dhaka people are, by now, quite familiar with a graffiti character called Subodh, as he can be seen in the various walls of the city with a sun inside a cage or himself behind the bars.
