“Invisible Stories” was developed following more than three months of field research across Bangladesh, during which Cannac collected folk materials and inspiration from various regions, including the Sundarbans. The resulting performance is rooted in the form of body puppetry, in which both human actors and puppets share the stage, often blurring the line between the two.
“Invisible Stories” was developed following more than three months of field research across Bangladesh, during which Cannac collected folk materials and inspiration from various regions, including the Sundarbans. The resulting performance is rooted in the form of body puppetry, in which both human actors and puppets share the stage, often blurring the line between the two.
