As someone who is interested in Muslim novels—by which I mean novels written by Muslims about Muslims—I always feel a scholarly tug towards Hanif Kureishi’s The Black Album (Scribner, 1995) when speaking of the at times uneasy but mostly comfortable marriage between music and literature.
In Another India, Pratinav Anil unambiguously faults Nehruvian secularism—the very mantle championed by historians such as Mushirul Hasan for whom “the congress best represented the Muslim interests from the fifties on.”
"The enthusiasm which Ranajit Guha created in our minds in the field of thinking and writing history for more than a decade has never been replicated in the past nor will it be replicated in the future", Dipesh Chakraborty said.
As someone who is interested in Muslim novels—by which I mean novels written by Muslims about Muslims—I always feel a scholarly tug towards Hanif Kureishi’s The Black Album (Scribner, 1995) when speaking of the at times uneasy but mostly comfortable marriage between music and literature.
In Another India, Pratinav Anil unambiguously faults Nehruvian secularism—the very mantle championed by historians such as Mushirul Hasan for whom “the congress best represented the Muslim interests from the fifties on.”
"The enthusiasm which Ranajit Guha created in our minds in the field of thinking and writing history for more than a decade has never been replicated in the past nor will it be replicated in the future", Dipesh Chakraborty said.