Chief Adviser Prof Muhammad Yunus disclosed the development at a meeting with editors today.
Stay in a group, never in alleyways
Movements leave an indelible mark on the psyche of the people, and thus, the culture. As people are pushed to the brink of intolerance through oppressive measures,
Magic boys and girls of Bangladesh, I love you.
The July wind brought in the scent of new beginnings
I’m not here to take sides, but I want to ask: Why are we so quick to question the students when reports started coming in of some crossing the line?
Bangladesh has recently witnessed extraordinary times. In July 2024, what began as a student movement demanding a restructuring of the government job quota system escalated into a countrywide mass movement for equality, justice, and democratic freedom.
With his outstretched arms, with his head held high, with his simple yet impenetrable courage Abu Sayed changed everything
Bangladesh’s recent student protests sparked a transformative shift, with youth taking on roles as impromptu traffic controllers in Dhaka, showcasing resilience and unity. Hotels and restaurants, like Beirut in Banani, supported students by providing free meals, symbolizing solidarity. This act of kindness boosted morale and highlighted the power of community support.
On 13 August 2024, the Bangladesh Rickshaw Art Society transformed the walls near Sheikh Russel Tower at the Dhaka University campus into a vibrant canvas of rickshaw art.
If we flip the pages of history, we will find that rap and hip-hop music has been a powerful medium for expressing discontent, rallying causes, and standing up to authority. Although other forms of music also contributed in their own way, there is something about hip-hop music when it comes to challenging established power structures that sets it apart from the others.
How will these students feel safe on campus upon their return?
The public reception up until now begets the question: did we dismiss the efforts of the students too easily?
Identity and ideology politics also played an essential role in brewing the Bangla Bashanta.
The "Colours for Reform" campaign, which kicked off in the Science Lab area yesterday, comprises over 50 artists and 300 volunteers. The campaign seeks to preserve meaningful graffiti painted during the protests while refreshing Dhaka's walls with messages of hope and unity.
The protest meeting was moderated by journalist Maksudul Haque Imu and began with a minute of silence to honour the martyrs of the anti-discrimination student movement. The gathering was marked by strong condemnations of the vandalism and attacks on cultural venues, as well as the targeted attack on the residence of musical artiste Rahul Anand, known for his involvement with the student movement.
In the wake of the political upheaval following the resignation of former Prime Minister Sheikh Hasina on 5 August 2024, the country found itself in a precarious situation. Students have emerged as key figures in maintaining stability and order during this period.
In such challenging times, when protesters and civilians were indiscriminately killed, wholesale arrests, block raids, and a nationwide internet shutdown violated citizens' fundamental rights, keeping the nation on edge for weeks– only a few had the courage to raise their voices against the oppression and injustice.
he violence and unrest during the quota reformation movement could not be hidden from the world. The brutality was evident, and cries of anguish were echoed by artistes from various countries around the globe. From mid-July, many Indian artistes including Swastika Mukherji, Anjan Dutta, Kabir Suman were active on social media and kept an eye on the protest.