Selim Al Deen, perhaps the most celebrated name of Bangladeshi theatre in the post-Rabindranath era, was born on August 18, 1949. The playwright, fondly called Natyacharya, is credited with ushering in a new era in our theatre scene through his plays and extensive research in the field.
As part of this celebration, Selim Al Deen's "Shakuntala" is making a much-anticipated return to the stage, under the direction of Shahiduzzaman Selim.
In an exclusive interview with The Daily Star, the eminent artiste talked about his Liberation War days, our independence, theatre activism, his upcoming film projects, and more.
Dhaka Theatre joins this celebration by bestowing the esteemed 'Seilm Al Deen Padak' upon the illustrious actor Pijush Bandyopadhyay and the eminent theatre personality Syed Jamil Ahmed.
The interior of Kala Kendra holds Tamima’s surreal artworks. Being asked about ‘dualmonism’, Tamima said that it is the art philosophy of Salim Al Deen where an idea or a concept can be expressed through several art forms; just like Dhaka Theater actors performed “Prachya” brilliantly, she attempted to depict the play through her paintings.
Nine individuals and one institution have been chosen for this year's Swadhinata Padak, across several categories.
What makes theatre good, bad or even deadly? I thought I knew the answer to this tricky question. I had a valid ground for this belief because more than thirty years ago, the pre-eminent playwright of Bangladesh,
Muntasir, written by Selim Al Deen, was staged at the Experimental Hall, Bangladesh Shilpakala Academy (BSA) on March 8. The musical comedy is the tenth production of Natyajon. It is directed by Selim Kamal.
Dhaka Theatre's six-day Selim Al Deen Festival opened yesterday at the Bangladesh Shilpakala Academy, featuring an array of plays and other programmes.
Selim Al Deen, perhaps the most celebrated name of Bangladeshi theatre in the post-Rabindranath era, was born on August 18, 1949. The playwright, fondly called Natyacharya, is credited with ushering in a new era in our theatre scene through his plays and extensive research in the field.
As part of this celebration, Selim Al Deen's "Shakuntala" is making a much-anticipated return to the stage, under the direction of Shahiduzzaman Selim.
In an exclusive interview with The Daily Star, the eminent artiste talked about his Liberation War days, our independence, theatre activism, his upcoming film projects, and more.
Dhaka Theatre joins this celebration by bestowing the esteemed 'Seilm Al Deen Padak' upon the illustrious actor Pijush Bandyopadhyay and the eminent theatre personality Syed Jamil Ahmed.
The interior of Kala Kendra holds Tamima’s surreal artworks. Being asked about ‘dualmonism’, Tamima said that it is the art philosophy of Salim Al Deen where an idea or a concept can be expressed through several art forms; just like Dhaka Theater actors performed “Prachya” brilliantly, she attempted to depict the play through her paintings.
Nine individuals and one institution have been chosen for this year's Swadhinata Padak, across several categories.
What makes theatre good, bad or even deadly? I thought I knew the answer to this tricky question. I had a valid ground for this belief because more than thirty years ago, the pre-eminent playwright of Bangladesh,
Muntasir, written by Selim Al Deen, was staged at the Experimental Hall, Bangladesh Shilpakala Academy (BSA) on March 8. The musical comedy is the tenth production of Natyajon. It is directed by Selim Kamal.
Dhaka Theatre's six-day Selim Al Deen Festival opened yesterday at the Bangladesh Shilpakala Academy, featuring an array of plays and other programmes.
Selim Al Deen, perhaps the most celebrated name of Bangladeshi theatre in the post-Rabindranath era, was born on this day in 1949.