The issue, in the case of Netflix, is that binge-watching a series over its premiere weekend feels practically required, lest unfavourable reviews cancel a show you would otherwise enjoy. If it released episodes on a weekly basis like other streaming platforms, it would give the audience more time to watch each episode and decide whether they want to continue watching the whole series.
I often feel overwhelmed by the sheer quantity of new books that I still want to read—so many stories, so little time—and understand that this is an ambition that rereading can only delay.
This season tries to cover too much ground and misplaces its focus in the process.
One of the most fascinating aspects of this season is the costume design. The ‘keftas’ are not only beautiful but enlightening as the embroidery is based on which magical order the character is in. Jesper’s stylish coats and hats, Inej’s hooded tunic in dark shades and the Darkling’s elegant cloak are all well-designed
The issue, in the case of Netflix, is that binge-watching a series over its premiere weekend feels practically required, lest unfavourable reviews cancel a show you would otherwise enjoy. If it released episodes on a weekly basis like other streaming platforms, it would give the audience more time to watch each episode and decide whether they want to continue watching the whole series.
I often feel overwhelmed by the sheer quantity of new books that I still want to read—so many stories, so little time—and understand that this is an ambition that rereading can only delay.
This season tries to cover too much ground and misplaces its focus in the process.
One of the most fascinating aspects of this season is the costume design. The ‘keftas’ are not only beautiful but enlightening as the embroidery is based on which magical order the character is in. Jesper’s stylish coats and hats, Inej’s hooded tunic in dark shades and the Darkling’s elegant cloak are all well-designed
