Bolstered, the six little mice lead their army up–up–up the trunk of the poor, ravaged oak they were so desperate to save.
After many years, Ira has returned to my town. She hops four towns to get here. We are supposed to meet today. I’ve been ready since morning. We will meet by the lakeside.
Raise no alarm, if on a night dimly lit,
As I read Subimal Misra–I was therefore seized by the urge to bring out his stories, or "anti-stories", in graphic form
Glamorous lightweight raindrops from the October sky keep
A star fell on the ground in the windy night
The question here should be: Why does the nationality of the poet matter if the sentiment and emotional dimensions are the central focus that keeps the dynamic of a national anthem active?
As if playing a game of chess / Still the world waits for the next dawn
The audience for the jatra was all any Marxist theatre director in Kolkata could have wished for.
Bolstered, the six little mice lead their army up–up–up the trunk of the poor, ravaged oak they were so desperate to save.
After many years, Ira has returned to my town. She hops four towns to get here. We are supposed to meet today. I’ve been ready since morning. We will meet by the lakeside.
Raise no alarm, if on a night dimly lit,
A star fell on the ground in the windy night
Glamorous lightweight raindrops from the October sky keep
As I read Subimal Misra–I was therefore seized by the urge to bring out his stories, or "anti-stories", in graphic form
The question here should be: Why does the nationality of the poet matter if the sentiment and emotional dimensions are the central focus that keeps the dynamic of a national anthem active?
As if playing a game of chess / Still the world waits for the next dawn
The audience for the jatra was all any Marxist theatre director in Kolkata could have wished for.
The recent attack on “Amar Shonar Bangla” stems from this type of attempt to categorise the national anthem, leading to further allegations against it