Reaching the 3rd level of Bengal Shilpalay, the first art piece greeting me in the lift lobby with its unique appearance was "Ria Moni", a tower constructed with children's toys. Created by Afsana Sharmin, this sculpture is a memorial for the six-year-old Riya Gope, who was shot dead on her apartment's rooftop during the Student Against Discrimination (SAD) Movement, leaving her family devastated. An intimidating installation with bamboo, sharp objects, water lilies, and severed doll parts is her way of visualising the movement.
The story of "Shono Mohajon" and its role in the July Revolution is more than just a tale of musical success; it's a stark reminder of the complex relationship between art and society. While the song's resurgence demonstrates the power of music to inspire and unify, it also raises critical questions about the nature of protest anthems and the responsibilities of artistes in times of social upheaval.
In a striking display of unity and protest, numerous Bangladeshi celebrities have changed their profile pictures on social media to a solid field of red, in response to the deaths during the recent quota reform protests. This movement has quickly gained traction, showcasing the collective voice of the people against violence and injustice.
Reaching the 3rd level of Bengal Shilpalay, the first art piece greeting me in the lift lobby with its unique appearance was "Ria Moni", a tower constructed with children's toys. Created by Afsana Sharmin, this sculpture is a memorial for the six-year-old Riya Gope, who was shot dead on her apartment's rooftop during the Student Against Discrimination (SAD) Movement, leaving her family devastated. An intimidating installation with bamboo, sharp objects, water lilies, and severed doll parts is her way of visualising the movement.
The story of "Shono Mohajon" and its role in the July Revolution is more than just a tale of musical success; it's a stark reminder of the complex relationship between art and society. While the song's resurgence demonstrates the power of music to inspire and unify, it also raises critical questions about the nature of protest anthems and the responsibilities of artistes in times of social upheaval.
In a striking display of unity and protest, numerous Bangladeshi celebrities have changed their profile pictures on social media to a solid field of red, in response to the deaths during the recent quota reform protests. This movement has quickly gained traction, showcasing the collective voice of the people against violence and injustice.
