Much thought has gone into capturing the reality in each scene, starting from the way Ariel’s hair and Ursula’s tentacles move, to the way Flounder’s nose twitches and Sebastian’s legs float or scurry.
Our current conceptualisation of race derives heavily from the last couple centuries of European imperialism.
Much thought has gone into capturing the reality in each scene, starting from the way Ariel’s hair and Ursula’s tentacles move, to the way Flounder’s nose twitches and Sebastian’s legs float or scurry.
Our current conceptualisation of race derives heavily from the last couple centuries of European imperialism.