In The Last White Man, Hamid uses an anodyne, clinical voice to set an atmosphere of unease of a white society panicking within, as a wave of darkness intrudes their skin, turning them impure, perhaps wild.
In The Last White Man, Hamid uses an anodyne, clinical voice to set an atmosphere of unease of a white society panicking within, as a wave of darkness intrudes their skin, turning them impure, perhaps wild.
