“My reader, I dip into the water just for you.” Bibhas Roy Chowdhury
Inevitably, Kaiser Haq’s The New Frontier and Other Odds and Ends in Verse and Prose is about the poet, his poetic predilections, and situatedness at this time of human existence. In many ways it is typical of the verse we have come to expect from our leading poet in English for a long time now, but in other ways it articulates his present-day concerns in new and striking poetic measures.
In this discussion, a throughline was drawn from the early 20th century to the early 21st.
With the publication of his first collection of poems, Tabak Deya Paan in 1975, Bangla literary scene witnessed the emergence of a powerful new voice.
“My reader, I dip into the water just for you.” Bibhas Roy Chowdhury
Inevitably, Kaiser Haq’s The New Frontier and Other Odds and Ends in Verse and Prose is about the poet, his poetic predilections, and situatedness at this time of human existence. In many ways it is typical of the verse we have come to expect from our leading poet in English for a long time now, but in other ways it articulates his present-day concerns in new and striking poetic measures.
In this discussion, a throughline was drawn from the early 20th century to the early 21st.
With the publication of his first collection of poems, Tabak Deya Paan in 1975, Bangla literary scene witnessed the emergence of a powerful new voice.