Many individuals and organisations are tirelessly working to preserve and restore these crafts. Take for example, Revival, an initiative working on renewing thousand-year-old traditions. A joint venture of Bangladesh and Japan, it seeks to delve into the rich artisanal history of Bangladesh but from the perspective of the aesthetic sense of the Japanese.
Quality bamboo crafts are usually difficult to come by and finding a destination with an extensive selection of choices can be even more elusive. Hence, if you are in pursuit of such a place, let us recommend a trip to Borni, a village in Tangail.
Shukonna Barua Prapti, an 11-year-old student of London Grace International School, is a huge fan of Marvel movies.
Every country has its own heritage crafts. While we may have many, from weaving authentic Jamdani to knitting bamboo baskets, very few people know about their history and traditions. Today, in this article we will be talking about one of our most talked about heritages: the art of pottery making and the village that stays awake in keeping our pottery heritages alive. The Bengali term for Pottery making is ‘mritshilpo’, which mostly specifies the maneuver of the craft: the soil of Bangladesh.
Bangladeshi weavers and artisans are a powerhouse of talent and creativity. Although especially known for their Nakshi Kantha needlework, they excel at most other traditional, artistic forms of stitching as well. Four old friends, Shirajum Munira, Fardous Ahmed, Rahmatul Alam and Nusrat Jahan, recognised the strength in this ancient heritage and instantly knew what they had to do, to lend due recognition and visibility to artisans and their work. They decided to form SutarKabbo, an establishment where rural craftswomen would be trained to create quality handicrafts and sustain their livelihoods through their skills.
Craftsman Dhananjoy Roy has turned his thatched hut in a remote village of Nilphamari into a mini Liberation War museum.
Many individuals and organisations are tirelessly working to preserve and restore these crafts. Take for example, Revival, an initiative working on renewing thousand-year-old traditions. A joint venture of Bangladesh and Japan, it seeks to delve into the rich artisanal history of Bangladesh but from the perspective of the aesthetic sense of the Japanese.
Quality bamboo crafts are usually difficult to come by and finding a destination with an extensive selection of choices can be even more elusive. Hence, if you are in pursuit of such a place, let us recommend a trip to Borni, a village in Tangail.
Shukonna Barua Prapti, an 11-year-old student of London Grace International School, is a huge fan of Marvel movies.
Every country has its own heritage crafts. While we may have many, from weaving authentic Jamdani to knitting bamboo baskets, very few people know about their history and traditions. Today, in this article we will be talking about one of our most talked about heritages: the art of pottery making and the village that stays awake in keeping our pottery heritages alive. The Bengali term for Pottery making is ‘mritshilpo’, which mostly specifies the maneuver of the craft: the soil of Bangladesh.
Bangladeshi weavers and artisans are a powerhouse of talent and creativity. Although especially known for their Nakshi Kantha needlework, they excel at most other traditional, artistic forms of stitching as well. Four old friends, Shirajum Munira, Fardous Ahmed, Rahmatul Alam and Nusrat Jahan, recognised the strength in this ancient heritage and instantly knew what they had to do, to lend due recognition and visibility to artisans and their work. They decided to form SutarKabbo, an establishment where rural craftswomen would be trained to create quality handicrafts and sustain their livelihoods through their skills.
Craftsman Dhananjoy Roy has turned his thatched hut in a remote village of Nilphamari into a mini Liberation War museum.
