Directed by Kiran Rao, the rural comedy-drama has raked in 50 million yen (approximately Rs 2.75 crore) in 45 days at the Japanese box office. By comparison, “Pathaan” grossed around 50 million yen, and “Salaar” brought in 46 million yen during their respective runs in Japan, as per trade data from Sacnilk.
Set in the fictional Nirmal Pradesh in India, “Laapataa Ladies’” premise follows Deepak (Sparsh Srivastav), a farmer, who mistakenly ends up with Jaya (Pratibha Ranta), another bride, instead of his newlywed wife Phool (Nitanshi Goel). The film however reveals itself as more than just a case of swapped identities on a train. It is a story about defying expectations and finding freedom, wrapped in a cloak of apt humour. Since returning to the director’s seat after 13 years, Kiran Rao thus weaves a hilarious tale of these two exchanged brides. The highlight of the film lies beneath the comedic chaos in powerful messages that point to the threads of patriarchy binding women in our society.
Directed by Kiran Rao, the rural comedy-drama has raked in 50 million yen (approximately Rs 2.75 crore) in 45 days at the Japanese box office. By comparison, “Pathaan” grossed around 50 million yen, and “Salaar” brought in 46 million yen during their respective runs in Japan, as per trade data from Sacnilk.
Set in the fictional Nirmal Pradesh in India, “Laapataa Ladies’” premise follows Deepak (Sparsh Srivastav), a farmer, who mistakenly ends up with Jaya (Pratibha Ranta), another bride, instead of his newlywed wife Phool (Nitanshi Goel). The film however reveals itself as more than just a case of swapped identities on a train. It is a story about defying expectations and finding freedom, wrapped in a cloak of apt humour. Since returning to the director’s seat after 13 years, Kiran Rao thus weaves a hilarious tale of these two exchanged brides. The highlight of the film lies beneath the comedic chaos in powerful messages that point to the threads of patriarchy binding women in our society.
