Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Renowned filmmaker and cultural affairs adviser Mostofa Sarwar Farooki has dismissed concerns that Bangladesh Shilpakala Academy is running without leadership following the recent resignation of its Director General, Syed Jamil Ahmed.
Renowned musician and social activist Farzana Wahid Shayan, known for her bold stance on gender inequality and oppression, has once again raised her voice in response to the alarming rise of gender-based violence in Bangladesh. In recent weeks, a wave of brutal incidents, including the rape of eight-year-old Asiya by a relative, has sent shockwaves throughout the nation, prompting widespread outrage and calls for justice.
Being a cartoonist is Morshed Mishu’s preferred public identity, or as he describes himself, an “artivist”—someone who practices activism through art in a non-traditional manner. Mishu, who rose to prominence through his political cartoons and social activism, has journeyed to every corner of the country to aid his fellow countrymen.
Fifteen years ago today, on September 12, 2009, Karim, revered as the "Baul king," passed away, leaving behind a profound yet humble legacy of love and mysticism. Growing up in the flood-prone lowlands of Sunamganj, Karim's music became a lifeline, reflecting the rhythms of waterlogged lands and the heartache of their people. His songs, simple yet profound, captured the essence of rural life, blending spirituality with raw emotion.
Kafka's “The Metamorphosis”, published in 1915, remains one of the most unsettling yet profound explorations of alienation and existential dread. The novella's iconic opening—“One morning, Gregor Samsa wakes up to find himself transformed into a giant insect”—sets the tone for a story that delves deep into the absurdity of human existence and the crushing weight of societal expectations.
Political cartoons played a pivotal role in the Anti-Discrimination Student Movement, transforming the revolution with artistic brilliance and courage.
As we are still counting down on our losses, the vandalism and destruction that took place at Joler Gaan frontman Rahul Ananda’s residence on Monday (July 5) afternoon has devastated many cultural activists and people at large.
It’s incredible how the same slogans, songs, anthems, and the spirit of Bengali nationalism and the Liberation War of 1971 are being echoed both on the streets and in assemblies, but this time with supporting views on the ongoing quota reform movement that has gripped the nation for the past month. Bengal has always been a land where political resurgence has stood on the stronghold of its culture.
The rally was a poignant reminder of the ongoing struggle for justice and reform in Bangladesh, highlighting the role of visual media professionals in amplifying the call for accountability and change.
As the country grapples with the ongoing quota reform protests, starting from July 1 and now on its 14th day, this song serves as a poignant reminder of the power and spirit of resistance. The government's heavy-handed response to peaceful protests, marked by violence and oppressive crackdowns, draws unsettling parallels to the struggles faced by countless others in the pursuit of justice and equality.
To make a film is to tell a story, and when it's a cumulation of collective consciousness, to find common social grounds, values, and ordinary yet telltale stories that create the base of development of human thought and psyche is a perfect example of a much needed social and cultural commentary.
From the heart-wrenching sacrifice of her son during the Liberation War to her relentless pursuit of justice for the thousands of Bengali mothers who also lost their children, Imam's struggle and determination were unwavering. Her fight didn't end with the war; it continued with a revolution aimed at ensuring that the most despicable traitors in Bengali history, the war criminals, faced appropriate punishment. Her unwavering commitment transformed personal tragedy into a national movement for justice and accountability.
