Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Renowned filmmaker and cultural affairs adviser Mostofa Sarwar Farooki has dismissed concerns that Bangladesh Shilpakala Academy is running without leadership following the recent resignation of its Director General, Syed Jamil Ahmed.
Renowned musician and social activist Farzana Wahid Shayan, known for her bold stance on gender inequality and oppression, has once again raised her voice in response to the alarming rise of gender-based violence in Bangladesh. In recent weeks, a wave of brutal incidents, including the rape of eight-year-old Asiya by a relative, has sent shockwaves throughout the nation, prompting widespread outrage and calls for justice.
A gifted artiste in this domain is lyricist Tushar Hasan, who has penned all the popular songs mentioned above. His contributions have not only defined this emerging trend but have also solidified his reputation as a leading figure in the world of brand anthems.
Humayun Faridee, a luminary of Bangladeshi stages, screens, and television, took his final breath on February 13, 2012, in Dhaka. Yet his physical departure does not signify erasure. His creations and artistry have transcended time, rendering him immortal in the hearts of his admirers. While literal victory over death is unattainable, Faridee achieved a form of immortality through the enduring legacy of his work.
In an exclusive interview with The Daily Star, the eminent artiste talked about his Liberation War days, our independence, theatre activism, his upcoming film projects, and more.
Chowdhury’s contributions go beyond this iconic song and journalism. He was a distinguished storyteller with notable works, including the acclaimed short story collection “Samrat-er Chhobi” (The Emperor’s Picture). He also authored significant novels and plays, consistently emerging as an active progressive writer and political commentator through the twists and turns of history. He was not just an observer of history but an active participant.
As the world commemorates the birth centenary of Kalim Sharafi, his legacy as a cultural icon and activist shines brightly, illuminating the path he forged with unwavering dedication and passion. Born on May 8, 1924 into a family rooted in the village of Khairadihi, West Bengal, Rabindra Sangeet maestro Sharafi's life journey was defined by a profound commitment to using art as a catalyst for social change.
Fakir Alamgir’s life embodies the spirit of May Day — representing both its struggles and triumphs. His lifelong dedication to the rights and welfare of the working class through his music marks him as a true champion of the labourers' cause.
The National Theatre Hall of Bangladesh Shilpakala Academy buzzed with excitement as the inaugural International Disability Art Festival 2024 commenced today, marking a significant milestone in arts and inclusivity.
His rendition of "Shada Shada Kala Kala" marked a turning point, garnering widespread acclaim and affirming his belief that Bangladeshis would embrace him as one of their own if he pursued Bangla music wholeheartedly.
Despite the advent of sound in cinema, Chaplin remained true to his silent roots, continuing to produce silent films even as talkies gained popularity. Films like "City Lights", "The Gold Rush", and "Modern Times" are timeless classics that showcase Chaplin's unmatched ability to entertain and inspire.
The soul-stirring melodies of Bangla songs resonate with the essence of the largely agrarian Bangalee people, weaving tales of joy, hope, aspiration, and the story of our journey as a nation.
