Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Theaterian’s first production and 14th show of the famous play brought about the torturous despair of existence and set the stage on fire with eclectic performances throughout its 2:30-hour run-time at Bangladesh Shilpakala Academy’s National Theatre Hall on Tuesday.
Recognising the cultural construct of the state, Lubna Marium emphasises that any threat to culture hampers societal progress, national unity, and diversity. To address this, she has spearheaded the establishment of a comprehensive Intangible Cultural Heritage Inventory (ICH) through Shadhona.
There is a great debate on his inclination towards choosing safer routes as a laureate; critics always said he downplayed his capabilities and did not utilize his literary brilliance on social and political instances much; rather, he opted for popular and contemporary content, a discussion popular among critics and fans alike.
Shah Rukh Khan, the megastar of Indian cinema, ascended to superstardom with his blockbuster hits over the span of his three-decade-long career. Yet the superstar's unequivocal popularity cannot be defined by his substantial net worth or the movies that made him what he is today.
In an interview with the Daily Star, eminent cultural icon and convener of the Festival Committee, Ghulam Kuddus, mentioned, "Despite severe weather conditions, traffic congestion, and other issues, we received a positive response from the audience. Although our audience numbers were lower this year, those who attended thoroughly enjoyed the performances."
Ganga Jamuna Cultural and Theatre Festival tantalises the audience with a plethora of performances, dance recitals, and art. A massive crowd has greeted the festival every day up till now, and The twelve-day-long festival will still continue for six more days.
One of the country's largest cultural initiatives, the Ganga-Jamuna Theatre and Cultural Festival, commenced with grandeur at the Bangladesh Shilpakala Academy (BSA) on Friday.
The title of the art exhibition, “Mrittika Mohey”, by Karu Titas, signifies a homebound call of one’s root and the mystifying allure of it. It suggests that the destination is merely an illusion of completion, while the true significance lies in the journey itself.
Bibhutibhushan Bandyopadhyay, the prodigal son of Bengal, remains an icon of breathtaking narrative style with a distinguished body of work. Today, on his 129th birth anniversary, this article revisits the instance when the author met the brilliant Satyajit Ray for the collaboration that weaved and shaped itself in the history of Bengal’s art and literature.
Rahul Ananda concluded on a serious note, “I don't actually know. I am just doing my work. Some of my work takes me to places, into some people's minds and lives, and that’s how I connect to people myself, spiritually and philosophically. That is the wonder of music and life for me, and I feel that is what connected us both.”
