Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Today marks the 43rd death anniversary of legendary actor Uttam Kumar.
With his breakthrough song, “Udd Gaye” released in 2017, the singer produced hit bangers like “Sage,” “Liggi,” “Barso,” “Jeet,”
Documented by 19 bright Rohingya photographers, the exhibition–a joint endeavor of UNHCR and the Bangladesh Liberation War Museum under the Rohingyatographer Collective–tells a tale of oppression, pain, resilience, and hope.
On his 50th death anniversary today, The Daily Star looks into the complex psyche of the renowned artiste, which goes beyond his individuality.
Yasmina Reza’s screenplay and Open Space Theatre’s adaptation continue with brisk intelligence and wit. The audience remained faithful, engaged, enthralled and deliberate in their interpretation of the play.
After “Taan”, “Floor Number 7”, and “Khachar Bhitor Ochin Pakhi”, Raihan Rafi has now brought forth another experimental production, “Nishwas”, to the popular OTT platform, Chorki on Thursday.
“Do you ever feel that there is something inside you? Something ancient, that will come out one day?” -- Naila Azad Nupur asks this exact question in “Indigo Giant”, her brilliant rendition of the story written by Dinabandhu Mitra in his epic play, “Nil Darpan”. The play, written by Ben Musgrave and translated by Leesa Gazi, was staged at the Bangladesh Mahila Samity’s Nilima Ibrahim Auditorium on Thursday, Friday, and Saturday with four shows.
