Contributor for Arts & Entertainment and Star Showbiz.
As Bangladesh continues its journey towards economic restructuring, it is imperative to create jobs that provide dignity and security for its people.
“Talvar”, released internationally as “Guilty”, is a 2015 crime thriller directed by Meghna Gulzar and written by Vishal Bhardwaj. Loosely based on the infamous 2008 Noida double murder case, the film chronicles the brutal killings of a teenage girl and her elderly male servant. The case, which captivated public attention, saw her parents and several local servants implicated by various investigative bodies.
When “Kahaani”, directed by Sujoy Ghosh, was released in 2012, it created a significant impact. Both critically and commercially successful, the film was lauded for its women-centric theme and realistic approach to filmmaking. Over a decade later, it still stands as a compelling watch.
Once musician Xefer took a turn and decided to debut as an actor while also adopting a new look with straightened hair, that too for Mostofa Sarwar Farooki’s project, it left netizens mesmerised. Moreover, the awestruck people were also eagerly awaiting her on-screen pairing with seasoned actor Chanchal Chowdhury. However, the anticipation led to much disappointment when the greater bit of the audience did not find the movie appealing.
The show begins with the abrupt disappearance of Margaret’s youngest son while he was with Mercy. This incident triggers a series of events, also involving Margaret’s neighbour Hilary. As these women navigate their deep-rooted traumas and terrible sense of loss, the series highlights the role of the megastructures of patriarchy and capitalism in individual lives.
Kitchens constitute an essential part of our lives, a space whose power dynamics we often overlook. But if cinema reflects our lives, shouldn't it highlight even the most mundane aspects? "The Great Indian Kitchen", a 2021 Malayalam movie written and directed by Jeo Baby, prompts us to consider just that.
More often than not, a film leaves you marred with questions, and you ponder over all the ifs and buts of what will unfold next. The film “Mr and Mrs Iyer”, along with all the emotions it invokes, is one that forces us to wonder about the ‘what ifs’.
Once in a while, certain movies deeply touch us, showcasing the challenges in our lives while reminding us of the importance of struggling for what is right. "12th Fail”, written and directed by Vidhu Vinod Chopra, has become that kind of a movie for the youth in Bangladesh.
A dark comedy, with artistic value and a brilliant satirical take on the social fabric of formerly colonised countries, "Foreigners Only" is yet another masterpiece by Nuhash Humayun.
Ever since the teaser for Andrew Dominik's "Blonde" was released, it received a lot of publicity. The film is based on a novel of the same name, and is a fictionalised take on the life and career of the illusive American actress, Marilyn Monroe.
“Sherdil: The Pilibhit Saga”, released in June, is indeed a breath of fresh air from the other recent projects of Srijit. It is based on the character Gangaram, a village chief, who offers to sacrifice his life for his villagers. When the harvests at the village are bad for consecutive years, and he fails to attain any government scheme to support his starving people, he hatches a plot.
Mahalya has arrived once again, bringing with it the spirituality and festivity that many of us love and cherish. And while the festivities alone are joyous enough for us to celebrate the holiday, it would be even more delightful to watch a few good movies that captivate the essence of the occasion.
A group of friends talking, laughing and creating music. A room filled with beautiful doodles in the background, and books scattered all around. This is the setting for Hatirpool Sessions.
Recently, all of Bangladesh is celebrating the success of our tigresses at the South Asian Football Federation (SAFF) Women’s Championship this year. However, for South Asian women, choosing sports as a profession is rarely encouraged.
Fifty-one years ago, in this very month of September, Allen Ginsberg visited the Jessore Road. Upon his return to America, he would write the anti-war poem “September on Jessore Road”, which would be monumental in shifting the opinions of Americans to oppose the support of Pakistan in the Liberation War.
Yesterday, the teaser for Neha Kakkar’s latest song, "O Sajna", was released. The song premiered in its entirety earlier today (September 19). “O Sajna” is a rendition of the song “Maine Payal Hai Chhankai” by Falguni Pathak from 1999.
After the Second World War, Europe went through a phase of modernisation, with the royal family becoming increasingly irrelevant to the common man. In order to sweeten and modernise their image, Lord Brabourne suggested using the new medium of television.
From Mira Nair’s “Monsoon Wedding” to Imtiaz Ali’s “Highway”, the chronicle of Hindi cinema mainly was linear with similar kinds of stories, songs, making and melodramatic extravaganza. Nevertheless, it is high time that the country, which is to date wrapped up with archaic societal injustice, discrimination and backdated familial norms, realises the importance of telling stories that had not been heard before.