Creative blocks mirror nature’s barren phases, yet chaos and stillness birth inspiration. True creativity resists control, flowing from instinct and emotion. In its wild, sacred moments, we connect deeply—with self, soul, and the art of becoming.
Every locality in this city has stories, and none seem to speak louder than the anecdotes shared by walls! Case in point: Shantinagar! Having lived here for over four decades, I am no stranger to the tales they offer, and curiously, these narratives are ever-changing.
In Old Dhaka, kachchi biriyani has emerged as the quintessential wedding dish
Shakrain is now observed by the entire community of Old Dhaka
Rashid Choudhury revolutionized Bangladeshi art by pioneering modern tapestry, blending Bengal’s cultural heritage with European techniques. His vibrant, symbolic works redefined artistic boundaries, inspiring generations and transforming textile art into a powerful medium of national identity.
Kumkum Rahman grew up in Dhaka. As part of the generation of the ’70s, she has recollections of a relatively quaint city, free from the hustle and bustle of the present day. Among her most treasured memories are those of Ramadan in the metropolis, but what remains etched in her heart is the joy of Eid in a bygone era.
Back in the day, the Abahani-Mohammedan rivalry was as fierce as Real Madrid-Barcelona
Ramadan holds a special place in the heart, rooted in childhood memories of fasting, reading, and spending time with family. The sacred month provides a chance for reflection, reconnecting with loved ones, and appreciating life's simple, meaningful moments.
In the last 14 years, Galleri Kaya, one of the leading art galleries in Bangladesh, has arranged almost a hundred shows. As organisers of various art trips, camps and workshops they are also active in promotion of Bangladeshi art.
For those growing up in postcolonial times, there was no escape from the tumultuous events that unfolded before them. Not a witness to the savagery of the Second World War, but of a world polarised as its direct result, Shahabuddin
I rested comfortably on the back of the chair at the auditorium, as a live streaming of 'epic rap battles of history' unfolded before me. And interestingly enough, it got me thinking. Hmmm…tradition; comfort; assimilation of culture; lungi!
Philately can be a useful means of garnering revenue for the postal department and can also provide young people alternatives to engage themselves in beneficial pursuits than the ills that now surround society at large.
For nine generations the Acharya family has depicted rural Bengal in their scroll paintings in a dream-like setting, where life was simpler but in no way easy.
The paper lanterns keep flying higher, and higher still; the flame beneath, propelling the 'phanush' creating a mesmerising display of colours in the sky - a fiery burst of yellow, seen through the translucent mesh of thin coloured papers.
The 1940s was a turbulent time in the Indian subcontinent; shortly after the end of World War II, the peoples' demand for freedom was ever high and division of the land between Pakistan and India seemed inevitable.
For netizens of the time, postage stamps are mere remnants of history. Almost every Bangladeshi, 30 and above, will recollect fond memories of this collecting pursuit and their prized stamp album, but to the younger generation philately no longer bears any special meaning.
Out of my dreams and into your arms I long to fly I will come as evening comes to woo a waiting sky. Out of my dreams and into the hush of falling shadows, When the mist is low and stars are breaking through Then out of my dreams I'll go Into a dream with you.
If you thought Cinderella has footwear issues, ask any Bangladeshi bride frantically passing her days in a shopping spree; to her there
