Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
If this collection proves anything, then it’s that Bangalees will take to poetry like flies take to freshly cut mangoes on a hot summer day.
Fifteen pages into Ali Smith’s Autumn—the first installment of the Seasonal Quartet, we are introduced to the protagonist (to the extent they exist in her books), Elisabeth.
The natural and political world bloom to life in the pages of Ali Smith’s Spring (Penguin Random House, 2019), the brilliant third installment in her seasonal quartet of books.
Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
If this collection proves anything, then it’s that Bangalees will take to poetry like flies take to freshly cut mangoes on a hot summer day.
Fifteen pages into Ali Smith’s Autumn—the first installment of the Seasonal Quartet, we are introduced to the protagonist (to the extent they exist in her books), Elisabeth.
The natural and political world bloom to life in the pages of Ali Smith’s Spring (Penguin Random House, 2019), the brilliant third installment in her seasonal quartet of books.
