The long-awaited “Karagar Part-1” has finally been released on Hoichoi. The show, while not an instant homerun, can be likened to a slow game of poker. Layers upon layers of fiction, blended with facts, makes “Karagar” a witty commentary on the slippery nature of truth. As the audience starts to believe where the story is going, Syed Ahmed Shawki turns the table on his audience, bluffing them with a royal flush.
Critical reading of South Asian history has been majorly subjected to individual narratives. Lack of comparative studies have resulted in ignorance for neighbours and a forgotten history of self.
Prominent cartoonist Syed Rashad Imam Tanmoy, in association with A2i HD Media and Cartoon People, a community of Bangladeshi cartoonists and visual storytellers, has launched a show titled, “Cartoon Cartoon”. It airs on BTV, and is awaiting release on Duronto Television.
Throughout the last two decades in Bangladesh, there has been a shift in storytelling on screen. Most notably, directors made films that not only initiated conversations in the country, but also made strides on global platforms.
“Those who come to Pathshala strive for more than just a comfortable living.
Throughout the past two decades, director Nurul Alam Atique has created a unique style of storytelling, involving intimate human concepts. “Lal Moroger Jhuti” presents a narrative that explores the collective memory of the masses during 1971. Atique shares his thoughts on his second feature film with The Daily Star.
Marking the 50th anniversary of Bangladesh's independence, Samdani Art Foundation and Centre for Research and Information (CRI) inaugurated a solo exhibition titled, "Witnessing History in the Making: Photographs by Anne de Henning" at Bangladesh Shilpakala Academy today.
Shohel Mondol is an actor who passionately showcases his talent on the stage and screen. In Hoichoi’s “Boli”, directed by Shankha Dasgupta, he plays the protagonist, Rustom. In a heart-to-heart conversation, Shohel spoke about his journey of becoming the character, his love for new challenges, and more.
It is no secret that Feluda was Satyajit Ray’s answer to Sir Arthur Conan Doyle’s Sherlock Holmes. Nonetheless, for at least three generations, Feluda has been a household name in most Bengali families. When Ray brought Detective P C Mitter from pages to the screen, his hand drawn illustrations hinted to just one name— Soumitra Chatterjee.
From a young age, Pracheta Ahana Alam was inspired to dream bigger, think of new possibilities and fight harder against self-doubt. In an intimate conversation, she share the stories of her life.
The coronavirus outbreak has brought the activities of art galleries and event spaces to an abrupt halt.
To this day, mental health remains one of the most neglected subjects in developing countries like Bangladesh. Despite the sheer number of people living with traumatic experiences and mental health issues,
As I was walking into Prachyanat’s practice space, with my mask and gloves on, some familiar voices called out my name. For the next few minutes, it felt like I was back to my old theatre-going self.
After the First World War, Major Arthur Hurst filmed shell-shocked patients who returned from the war in France. War Neurosis (1917) pioneered as the first medical film about the treatment of psychiatric battle casualties.
Young filmmaker Zahid Gogon has a number of accolades to his credit, including the Tareque Masud Young Film Maker Award (2014).
In ‘Let Me Get You a Nice Cup of Tea’, artist Yasmin Jahan Nupur sits across from spectators at an English-styled tea table, in her white jamdani shari.
Perhaps it is not a coincidence that the name ‘Lipi’ translates to ‘inscription’ in English. Her razor-sharp commentary on the politics of gender and female identity and representation has given her work a unique character.
Installation, a relatively new genre of contemporary art, is practiced by postmodernist artists.