Sarah Anjum Bari
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
Sarah Anjum Bari is a writer and editor, pursuing an MFA in the Nonfiction Writing Program at the University of Iowa where she also teaches rhetoric and literary publishing.
The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.
It's true, I feel differently about books that I previously disliked or enjoyed reading and books that I want as a physical presence in my life
It’s hard not to recall our many conversations about literature as I try to summarise Shah Tazrian Ashrafi’s debut collection of short stories. They were always short discussions, opening and closing off in spurts, as happens over text. Exclamations over a new essay collection by Zadie Smith, or a new novel by Isabel Allende.
In the foreword, I wanted to capture how I, as a child, grew up listening to different stories: ghost stories, mythical stories from both Sanatana and Islamic religious scriptures, and fairy tales from 'Thakurmar Jhuli', compiled by Dakkhinaranjan Mitra Majumdar. It was a time when there were no boundaries for my imagination.
Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.
Here was a woman who was but a dot amidst the throngs of people who watched the Bosphorus Bridge being opened in October 1973, as fireworks erupted over a Turkey that now seamed Asia to Europe.
I always tell the authors to make subjective, qualitative decisions. So many of my authors say no to higher offers from publishing houses if they don’t feel comfortable with the publisher or editor.
Last week, one of Dhaka’s oldest bookstores announced that they will be closing shop after running for 60 years
From the outdated legal concepts under which cases of rape are tried in court, the “medical” tests that are required for proving rape, to the institutions which are supposed to stand by the survivor, it is not surprising that many women are scared or traumatised to even report incidents of sexual violence.
In tracing the shifts from joint families of yesteryears to some single-parent households of today, what is happily evident is that the essence of the family remains the same.
The fact that 13 women have been killed and 17 physically abused over dowry in Bangladesh in January and February of 2017 does little to rattle us. Neither do the figures of 107 deaths, five suicides, and 94 physical abuse victims in all of 2016.
Looking up information on underprivileged children's education in Bangladesh, I found a picture online of a classroom that looked far
The internet is abound with stories of how sports can, and is, changing the world. How it helps build physical fitness and traits of teamwork, respect, and resilience.
Bill Condon's 2017 rendition of The Beauty and the Beast ends with a song by Céline Dion. “How does a moment last forever?
Contrary to horror stories narrated by some standardised test veterans, the GRE isn't designed to rob you of your sleep and social life weeks before you sit for the test.
As a student of English literature, “Eshob pore ki hobe?” is a question I've had to face on a near-daily basis.
"They said that the divorce rate in Bangladesh is so high because women these days are getting too educated, which gives them the independence to leave their husbands when they are abused physically or refrained from an activity; this wouldn't be allowed in earlier times."
A recent video circulating on Facebook, created for February 21, starts with a living room scene in a well-off household. A young girl of about eight or nine years – a house maid with bedraggled hair and a tired face – walks past her employer's daughter who is roughly as old as her.