Textbooks in Bangladesh tend to be written by foreign authors. Those that are written by Bangladeshi authors, emphasise on examples in a non-Bangladesh context.
Divakaruni has a message to send with this novel. To her, independence entails not just liberation or freedom from subjugation, it also means doing the right thing for oneself and for the people around us.
Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
It is the disease that maintains the upper hand in the plot. A jarring voice of its own, the toxins spilling across the pages in bold, chaotic words.
Part memoir, part magical realism, this is a story about identity and the idea of home.
The story of the ailing Bhawal prince, Ramendranarayan Roy, the Mejo Kumar, who while taken to Darjeeling to recuperate, died and was cremated there, under mysterious circumstances, and who then returned years later as a wandering ascetic with partial amnesia!
Andy Warhol suggested they tape their conversations on his Sony Walkman, to which Truman Capote agrees.
Nehru was revolted by Nazism and the persecution of Europe’s Jews. Bose…felt that the Indian struggle for freedom should override all other considerations.
Hellfire is at once a book about patriarchy and the toxic strand of matriarchy that supports it. Through the lives of sisters Lovely and Beauty, both kept from socialisation and even attending school deep into middle age, the novel captures near perfectly the convoluted blueprint of life for South Asian women.
It wasn’t until my 20s that I realised I had read less than 10 Bengali women authors in my childhood and adolescence.
The publishing and literary world in Bangladesh have considerable visibility of women: some are authoritative figures in the literary and academic world, some run their own establishments and bookshops; others occupy senior positions in many of the local publishing houses and literary committees. However, like the systems and society we currently operate in, this industry is also influenced by the larger patriarchal structure.
“How does Tagore intoxicate a growing young man . . . .? How has Dhaka transitioned through the Partition of Bengal and the birth of the University of Dhaka? . . . . how does one remember-- with nuance, with style-- icons of history and culture . . . .?”
Binod K Chaudhary, the chairman of the CG Corp Global conglomerate group, is Nepal’s first billionaire and possibly the most successful industrialist in his nation.
The River Tales (2021) is a series of graphic novels for children, commissioned by Asia Foundation’s ‘Let’s Read Asia’ digital library project and produced by HerStory Foundation in an effort to raise awareness about Bangladesh’s heritage and culture. Sarah Anjum Bari, editor of Star Books, speaks to Katerina Don, curator at HerStory Foundation, writer Anita Amreen, and artist Sayeef Mahmud about their processes of research, writing, and graphic designing for the series.
Abdus Selim, a noted Bangladeshi translator, playwright, essayist and educationist, has, of late, come up with a collection of five plays in Bangla translation titled Panch Manchanubad (Bangladesh Shilpakala Academy, 2021).
“The thing was that everyone knew Julita’s parents hadn’t died in any accident: Julita’s folks had disappeared. They were disappeared. They’d been disappeared”.
Bill Gates, the co-founder of Microsoft and the world’s fourth-wealthiest person, has written a new book, How to Avoid a Climate Disaster (Knopf, 2021) in which he cites the looming catastrophe of radical global climate change and sets out an incredibly ambitious goal that he argues is the only possible path for our species’ survival: achieving zero.
The 156-page hardback edition will be available in Bangla, English, and German.