“Mr Speaker Sir, what did Bangalee intend to achieve? What rights did Bangalee want to possess? We do not need to discuss and decide on them now [after independence]. [We] tried to press our demands after the so called 1947 independence. Each of our days and years with Pakistan was an episode of bloodied history; a record of struggle for our rights,” said Tajuddin Ahmad on October 30, 1972 in the Constituent Assembly. He commented on the proposed draft constitution for Bangladesh, which was adopted on November 4, 1972.
Melissa Lozada-Oliva takes us on a bumpy apocalyptic horror ride in her debut novel Candelaria. Spanning across three generations of women, the novel ushers together an unsettled past and an even more bizarre present.
Pre-occupation Palestine had, to use Anglo-American poet WH Auden's words, "marble well-governed cities" full of "vines and olive trees." But Israel and its allies have turned it into "an artificial wilderness"
Review of ‘Apni Ki Alien Dekhte Chan?’ (Afsar Brothers, 2024) by Wasif Noor
Over the past couple of decades, Bangladesh has witnessed three significant social and political movements that have shaped the course of its history.
“All literature is regional; or conversely, no literature is regional”—is a common sentiment to have today, but I had first read those lines from Joyce Carol Oates, in her preface to a book of stories by one of Canada’s most gifted storytellers, Alistair MacLeod. In MacLeod’s short stories, his Cape Breton Island was a refrain through which the momentous lives of his ordinary characters came through.
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Gulshan Society held a two-day language festival at the Gulshan Lake Park, curated by Sadaf Saaz and Jatrik. The event took place over the weekend of 21-22 February that saw discussion panels, original musical performances, and poetry recitations, surrounded by an array of book stalls and food courts.
Despite the regret I felt for not studying them with honest academic interest, the goal of having to go through those academic books did provide me a sense of purpose. However, now that exams were over, I realised that I had to replace those mundane books with more fascinating ones.
After a ten-year long hiatus, Monica Ali has returned with Love-Marriage that has has caused quite a stir.
A "what it really was" analysis of the 1971 war does not mean the description of the actions of India only. It should also cover their mistakes and failures. The cover of this book claims to be a "definitive story", but its research and narrative are not holistic.
“What Men Live By” opens like a children’s story—the way Matilda or most Roald Dahl books would start out—with simple, everyday events and straightforward descriptions. Eventually, though, one line caught my attention and I couldn’t help but smile:
A long time ago, when I was a young writer who had just published his first collection of short stories and had just been married to a young and lovely woman, I wrote a love story in the first person, which created two unanticipated problems.
The stories occur in places deeply etched into many of our memories—from rooftops to buses to benches in the park to the digital world of emails and texts.
In a break from last year’s partially virtual format, this year’s event will be held at ULAB’s Permanent Campus in Beribad and its Research Building in Dhanmondi, Dhaka.
The novel opens with a photographer, the eponymous Maali Almeida, who has woken up dead in a celestial visa office, while his body sinks in the Beira Lake in Colombo. Maali has seven moons to find the man and woman he loves and lead them to "a hidden cache of photos that will rock Sri Lanka".
The movie tells the classic love story from the perspective of Juliet's cousin Rosaline, who happens to be Romeo's recent ex-girlfriend. Crushed when Romeo meets Juliet and begins to pursue her, Rosaline schemes to foil the famous romance and reclaim her man.
To me, Wilde’s novel articulates the deepest anxieties of the late Victorians and continues to offer us ways to interpret our own experiences.
