The University Press Limited (UPL) celebrated its anniversary with readers, writers and well-wishers. The exchange of greetings was held from 4 PM to 8 PM at the UPL central office, located at Green Road in Farmgate area of Dhaka, on December 13 (Friday).
Research on Aviation Safety: Safety is a Mindset by Air Commodore Munim Khan Majlish is a fresh look at the concept of aviation safety challenging standard ideas about safety.
For educators: My go-to text on 1971 is Jahanara Imam’s Ekattorer Dinguli. It’s a deeply personal and powerful memoir that I believe every student should engage with to truly feel the emotional and human cost of the war. The way she documents her experiences, especially the loss of her son, is heart-wrenching and offers a perspective that transcends history—it becomes deeply relatable and unforgettable.
I weave Hibiscuses in your hair and Along with them I softly weave the strings of my I love you’s. Your eyes are closed as you soak in my touch and Your lips are pressed thin as if imprisoning yours.
Proverbs, short and profound, often sum up wisdom passed down through generations. Bangla, one of the world’s most spoken languages, is rich with such gems. One such saying in the language—”manush ki bolbe?”—is central to Intimacies of Violence, a debut book by Dr Nadine Shaanta Murshid, an associate professor at the University at Buffalo.
Obayed Haq’s Bangla novel, Arkathi, is almost a bildungsroman tale filled with adventure and self-reflection. In true bildungsroman fashion, where the protagonist progresses into adulthood with room for growth and change, a bulk of Haq’s novel talks about the spiritual journey that an orphan, Naren, takes through a forest in order to mature, and comes out on the other side to realise a community’s deep, hidden truth.
Someone in a chat group somewhere called Sally Rooney the ‘Taylor Swift’ of the literary world, and now I cannot unsee it.
Dense textbooks with words more twisted than the shapes my lips could contort themselves into—for the longest time, my perception of non-fiction didn’t deviate from this singular image.
Reading this book was uncomfortable, like a car crash waiting to happen, it was hard to read and even harder to put down.
Shahaduz Zaman is a familiar face in Bangladeshi literature, whose literary career spans decades of fruitful work. He regularly writes columns for Bangla newspapers, has written a few notable biographical fiction, such as Ekjon Komolalebu (Prothoma, 2017), based around the life of Jibanananda Das, and has garnered some duly needed appreciation for ethnographic work on the history of medicine during the liberation war.
Some among us might have wondered what it feels like to hold a lit bomb between our palms. One that will go off inevitably yet its spark, heat, force, weight, and pulsating nature are so fascinating that we are unable to put it down or look away, all the while knowing at the end of the wick we too will be destroyed—a chosen death, a voluntary annihilation.
The title of the first of Professor Rehman Sobhan’s two-part memoir suggests that it is about his “years of fulfilment”; the subject matter of its sequel therefore would be about the “untranquil” years that followed.
My introduction to the Bangla translation of Japanese books happened during my visit to Baatighar Chittagong. It was there that I encountered the Bangla translations of works by one of my favourite Japanese writers, Haruki Murakami, back in 2021. Then last year, I found myself enchanted with the promise of Morisaki Boighorer Dinguli (Abosar Prokashona, 2023); the allure of the black edition of the book boasting ebony pages and stunning artwork had me yearning for the book months before its scheduled release.
When I read the title of Charlotte Stroud’s article “The curse of the cool girl novelist” and the accompanying description of said type of novelist, I had a solid image of what she was referring to. Stroud describes “cool girl novelists” as “depressed and alienated”, “incurably downcast”, and “terminally sad”. It had similarities with “sad girl” literature, a supposedly new genre captivating readers and publishers alike.
Jhumpa Lahiri has always been the rare author whose prowess in the art of the short-story far surpassed her novelistic talents.
