Enakkhi Saha Roy, Ishrat Parveen Leena, and Ranjana Sayeed — a trio of visual artists driven by their love and passion for visual arts — are practicing artists whose second group exhibition, titled “Bindu”, is being hosted at Bhumi Art Gallery in Lalmatia. The inauguration event of the art exhibition took place on December 20, where painter Professor Emeritus Rafiqun Nabi graced the event as the chief guest. The exhibition was underway after the inaugural event consisting of performances of musicians from various genres.
Bangladesh Shilpakala Academy has officially designated three of its auditoriums to theatrical performances. The academy’s Director General Syed Jamil Ahmed, announced that these auditoriums are being renamed. Speaking at an event held at the academy’s Experimental Theatre Hall yesterday, he further stated that the Experimental Theatre Hall will be opened for theatrical productions starting December 28.
In an unexpected move, two major festivals slated for Dhaka’s Army Stadium have been postponed due to security concerns and the sudden cancellation of venue bookings. The highly anticipated International Folk Music Festival and Bengal Foundation's Classical Music Festival have both been put on hold, leaving event organisers and attendees in uncertainty.
Most of the artworks currently adorning the walls of Gallery Chitrak were created between 2016 and 2024. The exhibition features 70 pieces, including acrylic, oil, and watercolour paintings, etchings, drawings, charcoal works, and some of his iconic graphic designs for BTV.
The vibrant TikTok community in Bangladesh took centre stage last night as TikTok hosted the TikTok Creator Awards 2024 in the capital. Held for the second consecutive year in the country, the event celebrated the creative brilliance of Bangladeshi content creators who have revolutionised digital storytelling and entertainment.
The grounds of Lalmatia Housing Society School and College came alive with the beats of drums and the colourful celebration of Wangala, the foremost festival of the Garo community. Known as the “Hundred Drums Festival,” Wangala is a time for the community to thank Misi Saljong, the Sun Deity, for a successful harvest. This festive celebration marks the end of the farming season and celebrates the blessings of nature.
This December, the country is set to come alive with an extraordinary lineup of cultural festivities, organized by Shilpakala Academy to mark the country's month of victory. From Qawwali performances to theatre festivals, the month-long celebration promises something for everyone. These events, held across districts and major cities, aim to bring art and culture to the public, making them accessible to all.
Author Shahaduzzaman shared his thoughts on the adaptation: "The story revolves around a character who sees himself as split into two entities. The play delves into the interactions between these two sides of the same person. Inspired by Saif Suman’s vision, I extended the story into a theatrical form."
A faction led by senior praesidium member Lucky Enam is now preparing for an urgent meeting to discuss reforms and restructuring within the federation. Meanwhile, a rival group, aligned with Liaquat Ali Lucky, is pushing for a conference, further fueling tensions in the executive committee.
Known by various titles—“The Poet of Love” and “Poet of Ruposhi Bangla”—Jibanananda's metaphysical and magically realist verses have enchanted countless readers and audiences. His influence spills over from literature into cinema, inspiring iconic works from the 90s rock band Moheener Ghoraguli to films like Sayantan Mukherjee’s “Jhora Palok” and Robiul Alam Robi’s “Moribar Holo Taar Shwaad.”
The French language school Alliance Française de Dhaka (AFD), also adept at art exhibitions, and activities promoting a dynamic exchange between Europe and Bangladesh, marked its 65th anniversary with an extensive lineup of events, showcasing a seamless fusion of Bengali and French culture.
Art has always played a significant role in Bangladesh, from moving songs during the Liberation War to modern-day political art. Emphasising this historical context alongside the influence of today’s artists, ‘Day 2’ featured the second dialogue, titled “Artists Leading Paths: Artists in Policymaking.”
The organisers of this initiative believe that while there are several associations formed by theatre groups in Bangladesh, there has never been a platform solely for the rights, interests, and professional development of individual theatre artistes.
Renowned anchor, actress, and mime artiste Mousumi Mou has recently performed at the "Borderless Festival 2024" in Seoul, where she shared the stage with popular mime artistes Mir Lokman and Mahbub Alam.
Azad’s art explores the impact of climate-induced flooding and the tension between rural and urban environments. From the Sundarbans to Dhaka's dense urban fabric, her works reflect the convergence of these worlds, blending internal emotions with external observations of a landscape reshaped by human activity and environmental crisis.
In keeping with the exploration of the current themes in the nation’s art scene, an art exhibition displaying the windows into the complex narratives of our socio-cultural landscape was recently arranged by Zobra the Art Village and Dot to Line at Safiuddin Shilpalay in Dhanmondi. This five-day group exhibition titled, "Shilpa Sandhan", celebrated Bangladesh’s diverse and evolving art heritage, with the hosting of 55 artworks offering vibrant displays of creativity and emotion, from 24 contemporary artists.
In honour of Lalon's 134th death anniversary on October 17, the Bangladesh Shilpakala Academy has organised a three-day festival to celebrate his legacy. A press conference detailing the event will take place today at 3:00pm in the National Theatre Hall seminar room.
The formal aim of social documentary was initially to keep records, but by the 1930s, it evolved to enlighten and educate. Photographers gathered images to develop a ‘picture story’—a sequence of images that visually narrated incidents, with minimal text descriptions for context. These photo stories were powerful, capturing the world “in motion,” and representing people and their range of emotions—whether smiling, crying, angry, or vulnerable in moments as ordinary as any other in their daily lives.
