When I think of Tareque and Mishuk, I carry in my mind's eye the image of the two of them bent over a camera monitor reviewing the day's footage or seated together high on a crane surveying the next scene to be shot.
When I think of Tareque and Mishuk, I carry in my mind's eye the image of the two of them bent over a camera monitor reviewing the day's footage or seated together high on a crane surveying the next scene to be shot.
