Papia Sarwar, renowned Rabindra Sangeet exponent and Ekushey Padak laureate, passed away at a private hospital in Dhaka yesterday. She was 72.
Chhayanaut launched its December initiative titled Jagoroni (awakening) today, to honour the Liberation War. They will be releasing a new song each morning throughout the month as part of the initiative. To mark the start of the victory month and the debut of its digital platform, the institution broadcasted the national anthem sung by thousands of voices.
The Bharat-Bangladesh Film Festival, a three-day event, commences in Kolkata. This festival has been organised by the Bidhannagar Film Society of West Bengal in collaboration with the Fazlul Haque Mani Smriti Sansad, the Eastern Zonal Cultural Centre (EZCC) of Kolkata, and the eastern section of the Federation of Film Society.
Since its inception in the 1960s as a form of resistance against Pakistani rule, Chhayanaut's New Year celebration at Ramna Batamul in Dhaka has become a hallmark event, marking the commencement of the Bangla New Year’s festivities.
While most cultural programmes I seem to attend in the months of February and March seem to revolve around the themes of the 71’ Liberation War, Joltogongo’s musical programme yesterday was much like the others, however, it had much more to offer.
I am profoundly grateful to the institution which helped me evolve both as a music lover and as a human being.
Dhanmondi has always had a cultural identity of its own – be it the grand two-storeyed family bungalows, the sounds of rehearsals at Chhayanaut, the majestic Eidgah Masjid, or the playfields that kids flocked to. Even with the sprawling high-rise buildings, Dhanmondi, its lake, and its street stalls still maintain its rustic charm.
The “Bangalee way” in the sense of a single, linear way is a myth at best, and nationalist propaganda at worst.
The music industry in Bangladesh observed a comparatively successful year, in comparison to the pandemic-induced 2020 and 2021. Returning to the full normalcy from the virtual events, this year was warmly greeted with several in-person concerts and programmes from the very beginning.
Papia Sarwar, renowned Rabindra Sangeet exponent and Ekushey Padak laureate, passed away at a private hospital in Dhaka yesterday. She was 72.
Chhayanaut launched its December initiative titled Jagoroni (awakening) today, to honour the Liberation War. They will be releasing a new song each morning throughout the month as part of the initiative. To mark the start of the victory month and the debut of its digital platform, the institution broadcasted the national anthem sung by thousands of voices.
The Bharat-Bangladesh Film Festival, a three-day event, commences in Kolkata. This festival has been organised by the Bidhannagar Film Society of West Bengal in collaboration with the Fazlul Haque Mani Smriti Sansad, the Eastern Zonal Cultural Centre (EZCC) of Kolkata, and the eastern section of the Federation of Film Society.
Since its inception in the 1960s as a form of resistance against Pakistani rule, Chhayanaut's New Year celebration at Ramna Batamul in Dhaka has become a hallmark event, marking the commencement of the Bangla New Year’s festivities.
While most cultural programmes I seem to attend in the months of February and March seem to revolve around the themes of the 71’ Liberation War, Joltogongo’s musical programme yesterday was much like the others, however, it had much more to offer.
I am profoundly grateful to the institution which helped me evolve both as a music lover and as a human being.
Dhanmondi has always had a cultural identity of its own – be it the grand two-storeyed family bungalows, the sounds of rehearsals at Chhayanaut, the majestic Eidgah Masjid, or the playfields that kids flocked to. Even with the sprawling high-rise buildings, Dhanmondi, its lake, and its street stalls still maintain its rustic charm.
The “Bangalee way” in the sense of a single, linear way is a myth at best, and nationalist propaganda at worst.
The music industry in Bangladesh observed a comparatively successful year, in comparison to the pandemic-induced 2020 and 2021. Returning to the full normalcy from the virtual events, this year was warmly greeted with several in-person concerts and programmes from the very beginning.
Celebrating the arrival of Falgun, 1426, Chhayanaut arranged a colourful and joyous programme to greet Rituraj Boshonto, at their premises, recently.
