The Bharat-Bangladesh Film Festival, a three-day event, commences in Kolkata. This festival has been organised by the Bidhannagar Film Society of West Bengal in collaboration with the Fazlul Haque Mani Smriti Sansad, the Eastern Zonal Cultural Centre (EZCC) of Kolkata, and the eastern section of the Federation of Film Society.
Since its inception in the 1960s as a form of resistance against Pakistani rule, Chhayanaut's New Year celebration at Ramna Batamul in Dhaka has become a hallmark event, marking the commencement of the Bangla New Year’s festivities.
While most cultural programmes I seem to attend in the months of February and March seem to revolve around the themes of the 71’ Liberation War, Joltogongo’s musical programme yesterday was much like the others, however, it had much more to offer.
I am profoundly grateful to the institution which helped me evolve both as a music lover and as a human being.
Dhanmondi has always had a cultural identity of its own – be it the grand two-storeyed family bungalows, the sounds of rehearsals at Chhayanaut, the majestic Eidgah Masjid, or the playfields that kids flocked to. Even with the sprawling high-rise buildings, Dhanmondi, its lake, and its street stalls still maintain its rustic charm.
The “Bangalee way” in the sense of a single, linear way is a myth at best, and nationalist propaganda at worst.
The music industry in Bangladesh observed a comparatively successful year, in comparison to the pandemic-induced 2020 and 2021. Returning to the full normalcy from the virtual events, this year was warmly greeted with several in-person concerts and programmes from the very beginning.
Celebrating the arrival of Falgun, 1426, Chhayanaut arranged a colourful and joyous programme to greet Rituraj Boshonto, at their premises, recently.
It has been almost 20 years since the dreadful Ramna Batamul carnage during a Chhayanaut event, which saw the death of 10 people.
Indian Prime Minister Narendra Modi congratulates all associated with Chhayanaut, a Bangladeshi cultural organisation, as it has been named for prestigious Tagore Award in recognition of its outstanding contribution to cultural harmony.
Bangladesh’s leading cultural outfit Chhayanaut is named as one of the three winners of Indian government’s prestigious Tagore Award for Cultural Harmony.
To celebrate Rabindranath Tagore's 157th birth anniversary, his works and his philosophy, a two-day 'Rabindra Utshab 1425' commenced at the main auditorium of Chhayanaut Sangskriti Bhaban in Dhanmondi, Dhaka. The festival began yesterday.
Chhayanaut, one of the most prominent cultural institutions of the country, announced their programmes for this year's Pahela Baishakh celebrations, their 51st edition of the event, at the Ramna Botomuul on April 14.
A room full of women -- young and old and wearing bright clothes and bindis with clinking bangles -- were in a celebratory mood on the eve of International Women's Day yesterday. Every single one of them had a success story following struggle and braking barriers.
Marking the 41st death anniversary of National Poet Kazi Nazrul Islam, Chhayanaut organised a programme featuring solo and choral songs with recitations from the literary creations of the poet on August 25.
As I entered the red brick Chhayanaut Sangskriti Bhaban in Dhanmondi, I was struck by its magnificence.
To observe the 75th death anniversary of Tagore, Chhayanaut organised a cultural evening at its main auditorium on August 6.
Marking the 105th birth anniversary of Sufia Kamal -- one of Chhayanaut's founders, the leading cultural organisation of the country is set to hold a programme at its Ramesh Chandra Memorial Auditorium today. Solo and choral songs and recitation will feature at the programme, beginning 11am.
Eminent Rabindra Sangeet artistes Pramita Mallick of Kolkata, India and Laisa Ahmed Lisa performed at a musical soiree, titled “Srotar Ashor”.