The Bharat-Bangladesh Film Festival, a three-day event, commences in Kolkata. This festival has been organised by the Bidhannagar Film Society of West Bengal in collaboration with the Fazlul Haque Mani Smriti Sansad, the Eastern Zonal Cultural Centre (EZCC) of Kolkata, and the eastern section of the Federation of Film Society.
Since its inception in the 1960s as a form of resistance against Pakistani rule, Chhayanaut's New Year celebration at Ramna Batamul in Dhaka has become a hallmark event, marking the commencement of the Bangla New Year’s festivities.
While most cultural programmes I seem to attend in the months of February and March seem to revolve around the themes of the 71’ Liberation War, Joltogongo’s musical programme yesterday was much like the others, however, it had much more to offer.
I am profoundly grateful to the institution which helped me evolve both as a music lover and as a human being.
Dhanmondi has always had a cultural identity of its own – be it the grand two-storeyed family bungalows, the sounds of rehearsals at Chhayanaut, the majestic Eidgah Masjid, or the playfields that kids flocked to. Even with the sprawling high-rise buildings, Dhanmondi, its lake, and its street stalls still maintain its rustic charm.
The “Bangalee way” in the sense of a single, linear way is a myth at best, and nationalist propaganda at worst.
The music industry in Bangladesh observed a comparatively successful year, in comparison to the pandemic-induced 2020 and 2021. Returning to the full normalcy from the virtual events, this year was warmly greeted with several in-person concerts and programmes from the very beginning.
Celebrating the arrival of Falgun, 1426, Chhayanaut arranged a colourful and joyous programme to greet Rituraj Boshonto, at their premises, recently.
It has been almost 20 years since the dreadful Ramna Batamul carnage during a Chhayanaut event, which saw the death of 10 people.
Ushering in good deeds, artistes of Chhayanaut serenaded fearless songs in celebration of a two-day (May 7-8) Rabindra Utshab at its main auditorium.
Performance of selected choral songs will be held in an hour long (7am to 8am) programme while the evening session of the event will start at 6:30pm.
Peshkar Cultural Forum organised the fourth episode of Raaga and Rhythm, its regular classical music soiree, at Chhayanaut's main auditorium on January 15.
Dhaka University (DU) and cultural lighthouse organisation Chhayanaut are celebrating this year's Victory Day jointly.
Peshkar Cultural Forum organises the third session of the classical music concert titled “Raaga & Rhythm” at Chhayanaut’s main auditorium featuring both vocal and instrumental recital of Hindustani Classical Music.
With a view to introduce children to their cultural roots, Chhayanaut has been running Shikor, a special programme for young ones, for the last eight years.
Kolpotoru, a sister concern of Shadhona, has organised a Bharatnatyam festival at the main auditorium of Chhayanaut. Amit Chowdhury, a guru of the troupe, along with eight of his disciples, will perform Bharatnatyam in a two-day (July 25-26) festival titled “Rongoprobesh”, a celebration of dance. The show will be held at 7pm everyday.
Muntasir Mamun, Professor of History at University of Dhaka, and Hashem Sufi, Researcher of History, tell us the facts behind how Bengali New Year celebration on Pahela Baishakh came to be.
Nation welcomes the Bangla New Year 1422 today with its traditional fanfare and festivity.Shedding preceding year’s glooms to oblivion, people from all walks of life celebrates the Pahela Baishakh.
Chhayanaut, one of the leading cultural schools of the country, is hosting “Deshghor'er Gaan” today, in loving memory of Waheedul Haq – the founder of the school – on the occasion of his birth anniversary.