In my creative writing classes, whether at the University of Toronto or the Hermitage Residency in Bangladesh, I emphasise that any student of fiction must first master suspense
Playing with a location that seems real but is not is a tricky line to negotiate, and writer beware: you will be attacked
I became curious as to how the experience of reading might change for someone who studied it for a living, and how the lens of a literature student might differ from that of a creative writing one
Like many veterans, I joined a creative writing MFA program because I wanted to evolve as a writer.
My love affair with spectacles has long been regarded by my mother as nothing but a symptom of my dramatic nature.
When I was born, my skin was dark, like my grandfather’s, in whose arms I discovered my first home. Relatives old and new, whose disappointment was being nursed by my parents’ fair complexions, looked from afar as my rotund cheeks melted into the sleeves of my dada’s discolored half-sleeve shirt.
As an Anglophone writer in Bangladesh, I’ve frequently faced the rather inane question of why I write in English.
Ask me not of Grief. For I have been burnt by its friendly fire with blood and bits of oozing mortal flesh spun flaky and ashen by its biting cold breath.
This year’s sessions will be facilitated by eminent academics, writers, and professionals in their field, such as Professor Kaiser Haq, Professor Syed Manzoorul Islam, Professor Azfar Hussain, Professor Shamsad Mortuza, Arifa Ghani Rahman, and Maisha Hossain.
The latest bent in Jhumpa Lahiri's decades-long foray into Italian life and literature
The top selections in poetry, flash fiction and artwork for Day 2 of the Sehri Tales challenge; prompt: Candle.
Watch this print space for the Talespeople's weekly reflections on creative writing.
The top selections in poetry, flash fiction and artwork for Day 1 of the Sehri Tales challenge; prompt: Begin
Sehri Tales has established itself as a Ramadan tradition for writers in Bangladesh. The rules are simple: each night at midnight, for the entire month leading up to Eid-ul-Fitr, Ahmad shares a prompt, and participants have until 6 AM (sunrise) to write original poetry, flash fiction, or create unique art, and then share it online with the hashtag #sehritales2023.
Star Literature will be hosting a short story reading session moderated by Sarah Anjum Bari, the Books and Literary Editor of The Daily Star, on Friday at 4PM.
Professor Islam sheds light on English writing in Bangladesh, its future, and the influence of the language movement on the Bangladeshi psyche.
This means you can submit a manuscript on your own, without a literary agent.
If you are reaching out to an agent, go and find out exactly what sort of work that agent publishes. Also, think in terms of what would differentiate your work with the work of 39 other authors.
The workshops were the sessions I’d look forward to. Someone actually reading your work, studying it, telling you what you do well, telling you what you can improve on, all phrased constructively (“I like this!” was a banned phrase). If you’re pursuing writing, workshopping—on some level or another—is what you’ll need.