You are wide awake again
Everyone gathered around the east end of the Shashipur to watch Sharafat Miah dig his own grave. The local kids lurked around Sharafat’s old hut, keeping a watch on the progress of the grave until their mothers came to pick them up after Maghrib.
If they knew, your mother would have said, “It’s in your head, darling,” and your father would have screamed, “Put that head in the toilet bowl where it belongs.”
At around 2 AM he was awoken by the sound of Shahidun’s sniveling cries on her prayer mat. As grating as it might have sounded, he felt grateful for it to have woken him up.
The top selections in poetry, flash fiction and artwork for Day 20 of the Sehri Tales challenge; prompt: August
The top selections in poetry, flash fiction and artwork for Day 9 of the Sehri Tales challenge; prompt: Long
“Stop mocking me, Atif! I am telling you there is something here.”
The top selections in poetry, flash fiction and artwork for Day 8 of the Sehri Tales challenge; prompt: Flick
The top selections in poetry, flash fiction and artwork for Day 6 of the Sehri Tales challenge; prompt: Relief
She walked, entranced, into the water until it reached her chin, the wing of her little pink butterfly stuck out like a shark fin.
Oh that angelic call, yet I cannot respond. I cannot open my mouth in fear of the burning pain overpowering my senses.
Talespeople presents The Screaming Shorts, partnered with Daily Star Books and Star Literature.
Ratan Da walked away, waddling the way he came from, whispering, “Don’t let it go to waste, don’t let it go to waste.”
A story of an ordinary man and his very ordinary journey.
An uncomfortable stillness emanated in the air around Rajpath road. I stood there with my suitcase in my hand, the hair on the back of my neck standing on edge. Glancing left then right, I crossed the road and entered the premises of Hotel Kaalipara.
It was another early sunset on a rainy day in Dhaka. Alamin was walking with a polythene bag of groceries back to his small, rented apartment.
Back at home, food used to narrate stories. Here, food does not travel far to the nooks and crannies of Velutha’s heart; it only reaches his stomach well enough to leave him looking healthy and strong.
You Are a Rickshawallah
Sameer’s mother looked at her husband before quickly stepping in and attempting to defuse the situation. “You know it’s just a heritage thing. We’re not really Biharis".