What struck me the most about these stories is the firm, unflinching, and confident authorial voice sneaking up on and dictating the reader’s thoughts, orienting them to feel sympathy for the characters no matter how unlikeable they are.
Veering off from stories for a bit, Fahim Anzoom Rumman’s “The Secret” was a breath of fresh air. The piece seemed to be a cross between a poem and the kind of fable your grandparents would tell you as a kid to get you to fall asleep.
The creators of Small World City believe that Dhaka’s literary community deserves better recognition and representation, both domestically and globally.
These characters, human and machine alike, are invited to provide witness statements about their working environment to a commission, which form the entirety of the novel—a design that helps Ravn bring about an atmosphere of tension.
What struck me the most about these stories is the firm, unflinching, and confident authorial voice sneaking up on and dictating the reader’s thoughts, orienting them to feel sympathy for the characters no matter how unlikeable they are.
Veering off from stories for a bit, Fahim Anzoom Rumman’s “The Secret” was a breath of fresh air. The piece seemed to be a cross between a poem and the kind of fable your grandparents would tell you as a kid to get you to fall asleep.
The creators of Small World City believe that Dhaka’s literary community deserves better recognition and representation, both domestically and globally.
These characters, human and machine alike, are invited to provide witness statements about their working environment to a commission, which form the entirety of the novel—a design that helps Ravn bring about an atmosphere of tension.