In a typical Banksy twist, the artwork plays with perspective. A nearby bollard casts a false shadow across the pavement, cleverly shaping the lighthouse’s silhouette, making the mundane seem monumental.
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Bipasha Hayat’s deep-rooted passion for art has long been visible through her work and social media presence. A dedicated and ever-evolving artist, she continues to challenge herself by participating in exhibitions and immersive art programmes around the world. Her latest achievement marks a significant milestone—being officially selected as a participant for the All About Curating (AAC) Art Intensive programme in Bogotá, Colombia.
“Twenty Nine Seconds” unpacks the harrowing 2022 incident in which Rushdie was attacked onstage in New York, losing vision in one eye and nearly losing his life. It also traces the aftermath — psychological, physical, and artistic — that followed. Sen’s production brings Rushdie’s voice to life through Shah’s commanding presence, marking their first collaboration in theatre. Notably, the two have previously worked together on screen.
The festival received an overwhelming response, with 322 film submissions from across the country. After careful consideration by the selection committee, 89 films were chosen for screening—60 fictional shorts and 29 documentaries. These films were selected based on their artistic merit, storytelling prowess, and relevance to contemporary social issues.
Bangladeshi artist Suborna Morsheada made an impressive debut at the Révélations International Fine Craft & Creation Biennial in Paris, with support from the Durjoy Bangladesh Foundation.
Researcher Anwarul Haque and singer Shabnam Mushtari have been named as this year’s recipients of the Bangla Academy’s Nazrul Award. The awardees are being recognised for their contributions to the study, performance, and promotion of the works of National Poet Kazi Nazrul Islam.
The iconic song “Dhono Dhanno Pushpo Bhora” captures the spirit and essence of the Bengali people, each line echoing their emotions and identity. Written by the eminent Dwijendralal Roy, a revered figure among the five greats of Bengali music, this masterpiece continues to resonate across generations.
In a typical Banksy twist, the artwork plays with perspective. A nearby bollard casts a false shadow across the pavement, cleverly shaping the lighthouse’s silhouette, making the mundane seem monumental.
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Bipasha Hayat’s deep-rooted passion for art has long been visible through her work and social media presence. A dedicated and ever-evolving artist, she continues to challenge herself by participating in exhibitions and immersive art programmes around the world. Her latest achievement marks a significant milestone—being officially selected as a participant for the All About Curating (AAC) Art Intensive programme in Bogotá, Colombia.
“Twenty Nine Seconds” unpacks the harrowing 2022 incident in which Rushdie was attacked onstage in New York, losing vision in one eye and nearly losing his life. It also traces the aftermath — psychological, physical, and artistic — that followed. Sen’s production brings Rushdie’s voice to life through Shah’s commanding presence, marking their first collaboration in theatre. Notably, the two have previously worked together on screen.
The festival received an overwhelming response, with 322 film submissions from across the country. After careful consideration by the selection committee, 89 films were chosen for screening—60 fictional shorts and 29 documentaries. These films were selected based on their artistic merit, storytelling prowess, and relevance to contemporary social issues.
Bangladeshi artist Suborna Morsheada made an impressive debut at the Révélations International Fine Craft & Creation Biennial in Paris, with support from the Durjoy Bangladesh Foundation.
Researcher Anwarul Haque and singer Shabnam Mushtari have been named as this year’s recipients of the Bangla Academy’s Nazrul Award. The awardees are being recognised for their contributions to the study, performance, and promotion of the works of National Poet Kazi Nazrul Islam.
The iconic song “Dhono Dhanno Pushpo Bhora” captures the spirit and essence of the Bengali people, each line echoing their emotions and identity. Written by the eminent Dwijendralal Roy, a revered figure among the five greats of Bengali music, this masterpiece continues to resonate across generations.
Drik Gallery today wrapped up an exhibition on the emergence and evolution of child care facilities in Bangladesh through the photography of Md Rakibul Hasan. In collaboration with the International Labour Organization (ILO) and the Bangladesh Institute of Labour Studies (BILS), the exhibition “Keeping Childcare in Picture” intends to inform the masses and create awareness about the necessity and nature of child care facilities in our country.
A special photographic exhibition titled "Keeping Childcare in the Picture- A Photographic Exhibition on Childcare Practices in Bangladesh", featuring the work of award-winning photographer Mohammad Rakibul Hasan, will be held at Drik Gallery in Dhaka from May 18 to 20, open daily from 4pm to 8pm.
