The question here should be: Why does the nationality of the poet matter if the sentiment and emotional dimensions are the central focus that keeps the dynamic of a national anthem active?
The recent attack on “Amar Shonar Bangla” stems from this type of attempt to categorise the national anthem, leading to further allegations against it
Reception of Tagore in the Hispanic world is a significant literary event in itself because they acknowledged Tagore during such a time when the occidental enthusiasm for him was declining
“The liberation that comes through sorrow is greater than the sorrow,” says Nikhilesh, in Home and the World. I quote from Penguin’s Modern Classics edition, in Sreejata Guha’s translation.
Today (June 25) at 7:15pm, the eighth rendezvous of "Rabindranather Dwitiyo Bijoya" will be staged at the Experimental Theatre Hall of Bangladesh Shilpakala Academy. The play is written, directed, and conceptualised by Asadul Islam, the head of Mad Theatre.
A photo exhibition, inspired by the renowned poetic novel "Shesher Kobita" by the legendary Rabindranath Tagore, is set to take place this Friday (June 28) at 6pm at the Chitrashala Auditorium of the Bangladesh Shilpakala Academy.
This year, four veteran figures are set to be honoured with the Nazrul Padak, as announced by the Jatiya Kabi Kazi Nazrul Islam University. The recipients of the award include renowned Nazrul Sangeet artistes Dalia Nausheen and Salahuddin Ahmed, alongside esteemed researchers Dr Gulshan Ara Kazi and Anupam Hayat.
A biopic chronicling the life of the revolutionary poet Kazi Nazrul Islam has received official approval in Kolkata’s film industry. The avant-garde project will be helmed by director Abdul Alim, with actor Kinjal Nanda slated to take on the mantle of the titular character of Nazrul on screen.
Rabindranath Tagore is perhaps the only poet whose songs were chosen as the national anthems of two countries: India and Bangladesh.
The question here should be: Why does the nationality of the poet matter if the sentiment and emotional dimensions are the central focus that keeps the dynamic of a national anthem active?
The recent attack on “Amar Shonar Bangla” stems from this type of attempt to categorise the national anthem, leading to further allegations against it
Reception of Tagore in the Hispanic world is a significant literary event in itself because they acknowledged Tagore during such a time when the occidental enthusiasm for him was declining
“The liberation that comes through sorrow is greater than the sorrow,” says Nikhilesh, in Home and the World. I quote from Penguin’s Modern Classics edition, in Sreejata Guha’s translation.
Today (June 25) at 7:15pm, the eighth rendezvous of "Rabindranather Dwitiyo Bijoya" will be staged at the Experimental Theatre Hall of Bangladesh Shilpakala Academy. The play is written, directed, and conceptualised by Asadul Islam, the head of Mad Theatre.
A photo exhibition, inspired by the renowned poetic novel "Shesher Kobita" by the legendary Rabindranath Tagore, is set to take place this Friday (June 28) at 6pm at the Chitrashala Auditorium of the Bangladesh Shilpakala Academy.
This year, four veteran figures are set to be honoured with the Nazrul Padak, as announced by the Jatiya Kabi Kazi Nazrul Islam University. The recipients of the award include renowned Nazrul Sangeet artistes Dalia Nausheen and Salahuddin Ahmed, alongside esteemed researchers Dr Gulshan Ara Kazi and Anupam Hayat.
A biopic chronicling the life of the revolutionary poet Kazi Nazrul Islam has received official approval in Kolkata’s film industry. The avant-garde project will be helmed by director Abdul Alim, with actor Kinjal Nanda slated to take on the mantle of the titular character of Nazrul on screen.
Rabindranath Tagore is perhaps the only poet whose songs were chosen as the national anthems of two countries: India and Bangladesh.
You called me close in the moments of grace/ Veiling my delicate senses