To a practised eye, the images, paintings, satirical cartoons and visuals of Palestine, a country with a very rich heritage, art and cultural background and which has been diminished to the verge of destruction, where humanity is barely surviving, did not seem any less or more than what it is: A targeted cultural persecution.
There are films that we enjoy, and then there are the ones that are hard to forget. The latter moves us from within and changes the way we look at life. For me, “Kal Ho Naa Ho” is indelible with its rollercoaster of emotions. Written by Karan Johar and directed by Nikkhil Advani, the film featuring a stellar cast including Shah Rukh Khan, Preity Zinta, and Saif Ali Khan, marks its 20th anniversary today – since its release. At its core, the film is an exploration of the various facets of love, beautifully woven into the vibrant tapestry of New York City. As the film turns 20 today, let us revisit it one more time to remind ourselves to “haso, jiyo, muskurayo, kya pata kal ho naa ho.” (live and laugh, for tomorrow may not be there).
Harvard University and the University of Florida are set to introduce innovative courses delving into the impact of Taylor Swift on modern music and society. Harvard's Professor Stephanie Burt will spearhead a course titled "Taylor Swift and Her World", examining the singer's music, lyrics, and cultural significance.
Acclaimed actress and singer Zinat Sanu Swagata is set to make her directorial debut. This foray into the world of direction is under the expansive umbrella of the BTV project titled "Chhoto Chhobi, Boro Shwapno" (Small Films, Big Dreams), where she will be at the helm of a short film. Titled "Otoyeb", this marks her inaugural endeavour into directing, promising a fresh perspective in the realm of storytelling.
It is usually a good sign when a director acknowledges the intelligence of his target audience, respects it when putting the finishing touches on a story. While entering Mohakhali Cineplex to watch the premiere of Shihab Shaheen’s “Baba, Someone’s Following Me”, the pessimist in me instantly assumed that it’d be a straightforward tale of racism faced by South Asian students in Australia. In reality, the Binge original takes a more nuanced task to convey much more than that.
Theaterian’s first production and 14th show of the famous play brought about the torturous despair of existence and set the stage on fire with eclectic performances throughout its 2:30-hour run-time at Bangladesh Shilpakala Academy’s National Theatre Hall on Tuesday.
Recognising the cultural construct of the state, Lubna Marium emphasises that any threat to culture hampers societal progress, national unity, and diversity. To address this, she has spearheaded the establishment of a comprehensive Intangible Cultural Heritage Inventory (ICH) through Shadhona.
The iconic figures like Batman and the Joker mirror the complexities and duality of depression, offering a channel for individuals to communicate their pain, seek understanding, and, perhaps, find the help and support they so desperately need.